Tag: Renoir

Oignons (1881)

Renoir, Pierre-Auguste (1841-1919) Oignons (Onions) 1881 Oil on canvas, 39.1 x 60.6 cm Clark Art Institute, Williamstown

La Famille de l’artiste (1896)

Renoir, Pierre-Auguste (1841-1919) La Famille de l’artiste (The Artist’s Family) 1896 Oil on canvas, 173 x 137.2 cm Barnes Foundation, Philadelphia Renoir presents his family in the garden of their residence in Paris. At center Renoir‘s wife, Aline Charigot Renoir, wears…

Jeune fille assise (1909)

Renoir, Pierre-Auguste (1841-1919) Jeune fille assise (Young Woman Seated) 1909 Oil on canvas, 65.4 x 55.5 cm Musée d’Orsay, Paris See also: • Renard, Gabrielle (1878-1959)

Gabrielle aux Bijoux (1910)

Renoir, Pierre-Auguste (1841-1919) Gabrielle aux Bijoux (Gabrielle with Jewellery) 1910 Oil on canvas, 81 x 65 cm Private Collection See also: • Renard, Gabrielle (1878-1959)

Gabrielle à la rose (1911)

Renoir, Pierre-Auguste (1841-1919) Gabrielle à la rose (Gabrielle with a rose) 1911 Oil on canvas, 55.5 x 47 cm Musée d’Orsay, Paris See also: • Renard, Gabrielle (1878-1959)

La Seine à Chatou (c.1871)

Renoir, Pierre-Auguste (1841-1919) La Seine à Chatou (The Seine at Chatou) c.1871 Oil on canvas, 46.7 x 56.1 cm Art Gallery of Ontario, Toronto See also: • Chatou (France)

La Sortie du conservatoire (1876-1877)

Renoir, Pierre-Auguste (1841-1919) La Sortie du conservatoire (Leaving the Conservatory) 1876–1877 Oil on canvas, 187.5 x 117.5 cm Barnes Foundation, Philadelphia Renoir uses subtle body language to convey the flirtatious exchanges among a group of young Parisians gathered outside a music…

Femme à l’éventail (1886)

Renoir, Pierre-Auguste (1841-1919) Femme à l’éventail (Woman with Fan) 1886 Oil on canvas, 55.9 x 45.7 cm Barnes Foundation, Philadelphia This painting exemplifies the drastic shift in Renoir‘s style during the mid-1880s. After several years of working in an impressionist mode…

Avant le bain (c.1875)

Renoir, Pierre-Auguste (1841-1919) Avant le bain (Before the Bath) c.1875 Oil on canvas, 82 x 66.5 cm Barnes Foundation, Philadelphia When Renoir first exhibited this painting publicly, at an 1875 auction in Paris, audiences were shocked by its naturalism. Rather than…