Canova, Antonio (1757-1822) Orfeo (Orpheus) 1777 Marble, h. 140 cm Hermitage Museum, Saint Petersburg Canova produced his first commissioned works – a pair of statues showing Orpheus and Eurydice – at the age of just 16 or 17, for his patron,…
Canova, Antonio (1757-1822) Maddalena penitente (Repentant Mary Magdalene) 1808–1809 Marble, h. 95 cm Hermitage Museum, Saint Petersburg Canova, an outstanding sculptor of the late 18th – early 19th century, the head of the school of Neoclassicism in Rome, did not often…
Canova, Antonio (1757-1822) Le tre Grazie (Three Graces) 1813–1816 Marble, h. 182 cm Hermitage Museum, Saint Petersburg A late work by Canova, The Three Graces was produced at a time when the artist was so famous that the public eagerly awaited…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Matisse, Henri (1869-1954) Ballerina c.1927 Oil on canvas, 65 x 50 cm Hermitage Museum, Saint Petersburg In 1920 Matisse became acquainted with 19-year-old Henriette Darricarrère, who became his model for the next seven years. The girl was a ballet dancer at the…
Renoir, Pierre-Auguste (1841-1919) Jeunes filles au piano (Young Girls at the Piano) 1892 Oil on canvas, 116.5 x 89.5 cm Hermitage Museum, Saint Petersburg When the Minister of Fine Arts of France, Henri Roujon, consented to have a Renoir permanently displayed in…