Tag: Saint

Apoteosi di San Francesco (1604-1605)

Carracci, Annibale (1560-1609) Apoteosi di San Francesco (The Apotheosis of Saint Francis) 1604–1605 Fresco transferred to canvas, 151 × 103.3 cm Museo del Prado, Madrid Annibale Carracci painted these works without previous cartoons as part of a group for the chapel…

Tentazioni di sant’Antonio Abate (c.1598)

Carracci, Annibale (1560-1609) Tentazioni di sant’Antonio Abate (Christ appearing to Saint Anthony Abbot during his Temptation) c.1598 Oil on copper, 49.5 x 34.4 cm National Gallery, London A bearded man in a hair robe is being violently threatened by a horde…

Exposición del cuerpo de San Buenaventura (c.1629)

Zurbarán, Francisco de (1598-1664) Exposición del cuerpo de San Buenaventura (Exhibition of the Body of Saint Bonaventure) c.1629 Oil on canvas, 245 x 220 cm Musée du Louvre, Paris Painted for the church of the San Buenaventura college in Seville, around 1629;…

Madonna col Bambino tra due sante (c.1490)

Bellini, Giovanni (c.1430-1516) & Workshop Madonna col Bambino tra due sante (The Virgin and Child between two Saints) c.1490 Oil on panel, 77 x 104 cm Museo del Prado, Madrid The Virgin holds the Christ Child in her arms, flanked by…

La deposizione dalla croce (c.1550)

Allori, Alessandro (1535-1607) La deposizione dalla croce (The Descent from the Cross) c.1550 Oil on copperplate, 70 x 54 cm Museo del Prado, Madrid Christ’s dead body is taken off the Cross by Joseph of Arimathea, Nicodemus and Saint John the…

San Ambrosio (c.1796-1799)

Goya, Francisco de (1746-1828) San Ambrosio (Saint Ambrose) c.1796–1799 Oil on canvas, 190 x 113 cm Cleveland Museum of Art, Cleveland This work belongs to a series depicting Ambrose, Jerome, Augustine, and Gregory, key figures of early Catholicism. Saint Ambrose (about…

Negazione di San Pietro (1610)

Caravaggio (1571-1610) Negazione di San Pietro (The Denial of Saint Peter) 1610 Oil on canvas, 94 x 125.4 cm Metropolitan Museum of Art, New York Caravaggio’s late works depend for their dramatic effect on brightly lit areas standing in contrast to a…