Gonzalès, Eva (1849-1883) Femme à l’éventail (Lady with a Fan) c.1869–1870 Pastel on paper affixed to board, 37.47 x 45.4 cm Minneapolis Institute of Art, Minneapolis
Femme à l’éventail (c.1869-1870)
Tag: sand
La dernière prière des martyrs chrétiens (1883)
Gérôme, Jean-Léon (1824-1904) La dernière prière des martyrs chrétiens (The Christian Martyrs’ Last Prayer) 1883 Oil on canvas, 87.9 x 150.1 cm Walters Art Museum, Baltimore William T. Walters commissioned this painting in 1863, but the artist did not deliver it until…
Tigre aux aguets (c.1888)
Gérôme, Jean-Léon (1824-1904) Tigre aux aguets (Tiger on the Watch) c.1888 Oil on canvas, 63.5 x 90.5 cm Museum of Fine Arts, Houston
Marine grise (1880)
Ensor, James (1860-1949) Marine grise (Grey sea) 1880 Oil on canvas, 59 x 74 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Sir Patrick Spens (1856)
Siddal, Elizabeth (1829-1862) Sir Patrick Spens 1856 Watercolour on paper, 24.1 x 22.9 cm Tate Britain, London
La légende des siècles (1952)
Magritte, René (1898-1967) La légende des siècles (The Legend of the Centuries) 1952 Gouache on card, 17.8 × 14.9 cm Menil Collection, Houston
Figures sur une plage (c.1863)
Boudin, Eugène (1824-1898) Figures sur une plage (Figures on a Beach) c.1863 Oil on panel, 21.9 x 45.4 cm Rhode Island School of Design, Providence
Sur la plage de Boulogne (1868)
Manet, Édouard (1832-1883) Sur la plage de Boulogne (On the Beach, Boulogne-sur-Mer) 1868 Oil on canvas, 32.39 × 66.04 cm Virginia Museum of Fine Arts, Richmond As early as 1863, Manet’s submissions to the Salon were either rejected by the jury…
En route pour la pêche (1878)
Sargent, John Singer (1856-1925) En route pour la pêche (Setting Out to Fish) 1878 Oil on canvas, 78.7 × 122.9 cm National Gallery of Art, Washington En route pour la pêche depicts a scene in the quiet fishing village of Cancale,…
Le Rocher isolé (c.1862)
Courbet, Gustave (1819-1877) Le Rocher isolé (The Isolated Rock) c.1862 Oil on canvas, 64.8 x 81.3 cm Brooklyn Museum, New York Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he…