Raffaello (1483-1520) Resurrezione di Cristo (Resurrection of Christ) 1499–1502 Oil on wood panel, 56.5 x 47 cm Museu de Arte, São Paulo Ever since he began his training in the workshop of Pietro Perugino (1446–1524), Raphael Sanzio circulated in the court…
Raffaello (1483-1520) L’annunciazione (The Annunciation) 1502–1504 Tempera grassa on wood transferred to canvas, 39 x 190 cm Pinacoteca Vaticana, Vaticano This painting is the left part of the predella of the Oddi Altarpiece. The Crowning of the Virgin was painted for the altar…
Raffaello (1483-1520) Incoronazione della Vergine, detta Pala Oddi (Crowning of the Virgin, called Oddi Altarpiece) 1502–1504 Tempera grassa on wood transferred to canvas, 272 x 165 cm Pinacoteca Vaticana, Vaticano The Crowning of the Virgin was painted for the altar of…
Raffaello (1483-1520) San Giorgio e il drago (Saint George and the Dragon) c.1506 Oil on panel, 28.5 x 21.5 cm National Gallery of Art, Washington Raphael was born in Urbino, a central Italian duchy noted for its elegant gentility and Renaissance scholarship.…
Raffaello (1483-1520) L’orazione nell’Orto (The Agony in the Garden) c.1504–1505 Oil on wood, 24.1 x 28.9 cm Metropolitan Museum of Art, New York This panel was originally part of the base (predella) of the Colonna Altarpiece (Pala Colonna). This panel was…
Raffaello (1483-1520) Processione al Calvario (The Procession to Calvary) c.1504–1505 Oil on poplar, 24.4 x 85.5 cm National Gallery, London This is one of three scenes from the predella of Raphael’s Colonna Altarpiece, painted for the convent of S. Antonio da Padua…
Raffaello (1483-1520) Pietà c.1503–1505 Oil on poplar panel, 23.6 x 28.8 cm Isabella Stewart Gardner Museum, Boston Not satisfied with a single Raphael painting, Isabella Stewart Gardner waited just two years before purchasing her second work by the artist. This small panel,…
Michelangelo (1475-1564) Battaglia dei centauri (Battle of the Centaurs) 1490–1492 Marble bas-relief, 84.5 x 88 cm Casa Buonarroti, Firenze The earliest mention of the Battle of the Centaurs is to be found in a letter written in…
Holbein, Hans the Younger (c.1497-1543) Noli me Tangere 1526–1528 Oil on oak panel, 76.7 x 95.8 cm Royal Collection, Hampton Court Palace, London When the diarist John Evelyn saw this painting in Charles II’s Private Lodgings at Whitehall in 1680 he recorded…
Tiziano (c.1488-1576) Ecce Homo 1543 Oil on canvas, 242 x 361 cm Kunsthistorisches Museum, Vienna Signature: Referenced bottom center of the note: TITIANVS EQVES CES F. 1543 The scene was rarely depicted in Italy, but is probably explained by the Flemish origin…