Fontana, Lavinia (1552-1614) Minerva in atto di abbigliarsi (Minerva Dressing) 1613 Oil on canvas, 258 x 190 cm Galleria Borghese, Roma The work, which dates back to 1613, was painted in Rome, evoked here through the dome of St. Peter’s visible…
Fontana, Lavinia (1552-1614) Apparizione di Gesù alla Maddalena (Jesus Appears to Mary Magdalene) 1581 Oil on canvas, 80 x 65.5 cm Galleria degli Uffizi, Firenze
Van Eyck, Jan (c.1390-1441) The Annunciation c.1434–1436 Oil on canvas transferred from panel, 90.2 x 34.1 cm National Gallery of Art, Washington The Annunciation described by Saint Luke is interpreted in terms of actuality in this painting, which was probably once…
Tissot, James (1836-1902) La fille du guerrier (The Warrior’s Daughter) c.1878 Oil on panel, 21.8 x 36.2 cm Manchester Art Gallery, Manchester Modern life was the central theme of Tissot‘s art, with a focus on bourgeois social behaviour. His genre pieces…
Tissot, James (1836-1902) Le pont du HMS Calcutta, Portsmouth (Gallery of HMS Calcutta) c.1876 Oil on canvas, 68.6 x 91.8 cm Tate Britain, London Tissot often painted a man with two women in order to explore the subtle nuances of flirtation…
Tissot, James (1836-1902) La Fille du capitaine (The Captain’s Daughter) 1873 Oil on canvas, 72.3 x 104.8 cm Southampton City Art Gallery, Southampton Tissot began his career exhibiting historic subjects at the Paris Salon but during the 1860s turned to scenes…
Tissot, James (1836-1902) L’Annonciation (The Annunciation) 1886–1894 Opaque watercolor over graphite on gray wove paper, 17 x 21.7 cm Brooklyn Museum, New York According to Luke, an angel appeared to Mary and announced that she would bear the Son of God.…
Tissot, James (1836-1902) Cache-cache (Hide and Seek) c.1877 Oil on wood, 73.4 x 53.9 cm National Gallery of Art, Washington In early 1874 Degas wrote, “Look here, my dear Tissot. . . you positively must exhibit at the Boulevard [in the…