Giordano, Luca (1634-1705) Il rapimento delle Sabine (The Abduction of the Sabine Women) c.1675 Oil on canvas, 260 × 295 cm Art Institute of Chicago, Chicago Perhaps the most acclaimed and well-traveled artist in Italy at the end of the 17th century,…
Flinck, Govert (1615-1660) Joseph Interpreting the Prisoners’ Dreams c.1638 Pen and brown ink, with brush and brown wash, on ivory laid paper, 17.3 × 20.6 cm Art Institute of Chicago, Chicago For many years, this drawing was believed to be by…
Desboutin, Marcellin (1823-1902) La conversation (The Conversation) c.1875–1879 Oil on canvas, 55.5 × 38 cm Art Institute of Chicago, Chicago
Delacroix, Eugène (1798-1863) Le combat du Giaour et Hassan (The Combat of the Giaour and Hassan) 1826 Oil on canvas, 59.6 × 73.4 cm Art Institute of Chicago, Chicago This colorful scene was inspired by a poem from Lord Byron’s “Oriental tales,”…
De Morgan, Evelyn (1855-1919) The Angel of Death 1885 Black pastel and opaque gold paint, over traces of black chalk, on brown wove paper, 46.5 x 38 cm Art Institute of Chicago, Chicago
Cranach, Lucas the Elder (1472-1553) The Crucifixion 1538 Oil on panel, 121.1 × 82.5 cm Art Institute of Chicago, Chicago In this crowded scene, traditional vignettes from the Crucifixion story surround the central figure of Jesus Christ on the cross. Jesus’s…
Courbet, Gustave (1819-1877) Une scène alpine (An Alpine Scene) 1874 Oil on canvas, 60 × 73 cm Art Institute of Chicago, Chicago
Bruegel the Elder, Pieter (c.1525-1569) The Hare Hunters 1566 Etching in black on ivory laid paper, 21.5 × 29.2 cm Art Institute of Chicago, Chicago This etching might represent two related proverbs popularized by the philosopher/writer Erasmus in the mid-1500s: “He who…
Alma-Tadema, Lawrence (1836-1912) The Bowman (frontispiece from The Epic of Kings, Stories Retold from Firdusi) 1882 Etching in black on cream wove paper, 18.7 × 13.7 cm Art Institute of Chicago, Chicago This etching is one of two prints that Sir Lawrence…
Veronese, Paolo (1528-1588) Il martirio e l’ultima comunione di Santa Lucia (The Martyrdom and Last Communion of Saint Lucy) 1585–1586 Oil on canvas, 139.7 x 173.4 cm National Gallery of Art, Washington While exposing her breast to the thrust of the dagger…