Carracci, Annibale (1560-1609) Pietà con le tre Marie (The Dead Christ Mourned, The Three Maries) c.1604 Oil on canvas, 92.8 x 103.2 cm National Gallery, London This is perhaps the most poignant image in the National Gallery’s collection of the pietà…
Carracci, Annibale (1560-1609) Piccola macelleria (The Butcher’s Shop) c.1582 Oil on canvas, 59.7 x 71 cm Kimbell Art Museum, Fort Worth Around the time that he painted The Butcher’s Shop, in about 1582, Annibale Carracci joined his older cousin Ludovico and…
Carracci, Annibale (1560-1609) Ragazzo che beve (Boy Drinking) 1582–1583 Oil on canvas, 55.8 x 43.7 cm Cleveland Museum of Art, Cleveland Together with his brother Agostino and cousin Lodovico, Annibale Carracci introduced artistic reforms in Italy based on close observation of…
Carracci, Annibale (1560-1609) La sepoltura di Cristo (The Burial of Christ) 1595 Oil on copper, 43.8 x 34.9 cm Metropolitan Museum of Art, New York This deeply moving picture was painted for one of Carracci’s patrons, Astorre di Vincenzo Sampieri, a…
Carracci, Annibale (1560-1609) Incoronazione della Vergine (The Coronation of the Virgin) after 1595 Oil on canvas, 117.8 x 141.3 cm Metropolitan Museum of Art, New York This majestic picture—a window onto heaven—was painted for Cardinal Pietro Aldobrandini (1571–1621) following the artist’s…
Carracci, Annibale (1560-1609) San Giovanni Battista rende testimonianza (Saint John the Baptist Bearing Witness) c.1600 Oil on copper, 54.3 x 43.5 cm Metropolitan Museum of Art, New York Annibale launched the vogue for landscapes in which nature is transformed by the…
Carracci, Annibale (1560-1609) Assunzione della Vergine (Assumption of the Virgin) 1600–1602 Oil on wood, 245 × 155 cm Cappella Cerasi, Santa Maria del Popolo, Roma
Tiepolo, Giambattista (1696-1770) Bruto e Arrunte (Death of consul L. J. Brutus in a duel with Arruns) c.1728–1730 Oil on canvas, 383 × 182 cm Kunsthistorisches Museum, Vienna Inscription: On the typeface above the ballhorned quote: MVTVO VVLNERE OCCVBVIT ADVLTERVM FERE…
Guercino (1591-1666) Ritorno del figliol prodigo (Homecoming of the Prodigal Son) 1619 Oil on canvas, 107 × 143.5 cm Kunsthistorisches Museum, Vienna Compare: Guercino (1591-1666) Il ritorno del figliol prodigo 1654–1655 Timken Museum of Art, San Diego
Tiziano (c.1488-1576) Bravo (The Bravo) c.1515–1520 Oil on canvas, 77 × 66.5 cm Kunsthistorisches Museum, Vienna Titian intensifies the close-up half-figure action picture developed by his teacher Giorgione into concentrated drama. The three-quarter portrait of the vine-leafed protagonist contrasts with the…