Claudel, Camille (1864-1943) L’Âge mûr (The Mature Age) 1899 Bronze, 61.5 x 85 cm x 375 cm Musée Camille Claudel, Nogent-sur-Seine
L’Âge mûr (1899)
Tag: scene
L’Abandon (c.1886)
Claudel, Camille (1864-1943) L’Abandon (Abandonment) c.1886 Bronze, 42.3 x 39.1 x 20.5 cm Musée Camille Claudel, Nogent-sur-Seine
Les Causeuses (1893)
Claudel, Camille (1864-1943) Les Causeuses ou Les Bavardes (The Bavardes or the Loveseats) 1893 Bronze et marbre ou albâtre teinté, 32 x 34 x 24 cm Musée Camille Claudel, Nogent-sur-Seine
La plage de Trouville à l’heure du bain (1864)
Boudin, Eugène (1824-1898) La plage de Trouville à l’heure du bain (The beach of Trouville at bath time) 1864 Oil on canvas, 67.5 x 104 cm Art Gallery of Ontario, Toronto See also: • Trouville-sur-Mer (France)
Lavanda dei piedi (c.1545-1555)
Tintoretto, Jacopo (1518-1594) Lavanda dei piedi (Christ Washing His Disciples’ Feet) c.1545–1555 Oil on canvas, 154.9 × 407.7 cm Art Gallery of Ontario, Toronto
I am half sick of shadows (1915)
Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)
Le bluff de l’aveugle (c.1775-1780)
Fragonard, Jean-Honoré (1732-1806) Le bluff de l’aveugle (Blind man’s Bluff) c.1775–1780 Oil on canvas, 62.5 x 45.1 cm Timken Museum of Art, San Diego Jean Honore Fragonard trained in the studio of François Boucher, who painted Lovers in the Park, hanging…
Il ritorno del figliol prodigo (1654-1655)
Guercino (1591-1666) Il ritorno del figliol prodigo (The Return of the Prodigal Son) 1654–1655 Oil on canvas, 155.6 x 146.1 cm Timken Museum of Art, San Diego The parable depicted by Il Guercino (a nickname meaning “squint-eyed”) is the one most…
La Sortie du conservatoire (1876-1877)
Renoir, Pierre-Auguste (1841-1919) La Sortie du conservatoire (Leaving the Conservatory) 1876–1877 Oil on canvas, 187.5 x 117.5 cm Barnes Foundation, Philadelphia Renoir uses subtle body language to convey the flirtatious exchanges among a group of young Parisians gathered outside a music…
Mauvaise surprise (1901)
Rousseau, Henri (1844-1910) Mauvaise surprise (Unpleasant Surprise) 1901 Oil on canvas, 194.6 x 129.9 cm Barnes Foundation, Philadelphia The large-scale jungle scenes of Henri Rousseau are rife with violent struggles between wild animals such as lions, tigers, and horses. Here, a…