Raffaello (1483-1520) Studio per la ‘Madonna del Pesce’ (Study for the ‘Madonna del Pesce’) c.1512–1514 Brush and brown wash heightened with white over black chalk on paper, 25.80 x 21.30 cm Scottish National Portrait Gallery, Edinburgh This drawing shows a very…
(1566–1625) James Charles Stuart King of England (1603–1625) King of Ireland (1603–1625) King of Scotland (1567–1625) James I in Art: Rubens, Peter Paul (1577-1640) The Apotheosis of James I c.1628–1630 Tate Britain, London Born June 19 1566 Edinburgh Castle, Edinburgh (Scotland)…
Scott, William Bell (1811-1890) Fair Rosamund in her Bower after 1854 Oil on canvas, 60.3 x 49.5 cm Private collection Comentary by Rupert Maas: Scott first painted the subject of Rosamund in 1854, for exhibition in the Royal Scottish Academy. This…
Scott, William Bell (1811-1890) Fair Rosamond Alone in Her Bower c.1853 Oil on canvas, 68 x 51.4 cm Kelvingrove Art Gallery and Museum, Glasgow Compare: De Morgan, Evelyn (1855-1919) Queen Eleanor and the Fair Rosamund Probably 1901–1902 De Morgan Collection Rossetti,…
Andrea del Sarto (1486-1530) Domenico di Jacopo di Matteo, called ‘Becuccio Bicchieraio’ c.1528–1530 Oil on panel, 86 x 67 cm Scottish National Gallery, Edinburgh Compare: Andrea del Sarto (1486-1530) Domenico da Gambassi c.1525–1528 Art Institute of Chicago, Chicago See also: • Gambassi,…
Rubens, Peter Paul (1577-1640) The Union of England and Scotland (Charles I as the Prince of Wales) 1633–1634 Oil on gessoed oak panel, 84.46 x 65.72 cm Minneapolis Institute of Art, Minneapolis See also: • Charles I (England)
(1600–1649) King of England (1625–1649) King of Ireland (1625–1649) King of Scotland (1625–1649) Charles I in Art: Rubens, Peter Paul (1577-1640) The Apotheosis of James I c.1628–1630 Tate Britain, London Rubens, Peter Paul (1577-1640) The Union of England and Scotland…
Watteau, Antoine (1684-1721) Le voleur du nid de moineaux (The Robber of the Sparrow’s Nest) c.1710 Oil on paper laid on canvas, laid on panel, 22.60 x 18.50 cm Scottish National Gallery, Edinburgh Watteau shows a young couple in an idyllic woodland…
Watteau, Antoine (1684-1721) Fêtes Vénitiennes (Venetian Festivals) 1718–1719 Oil on canvas, 56.3 × 46.2 cm Scottish National Gallery, Edinburgh This is a very fine example of the ‘fêtes galantes’ perfected by Watteau. He included himself as the seated musician playing a musette.…
Soutine, Chaïm (1893-1943) Le mas passe-temps, Céret c.1920–1921 Oil on canvas, 62.8 × 86.3 cm Scottish National Gallery of Modern Art, Edinburgh See also: • Céret (France)