Rodin, Auguste (1840-1917) Eve, après la faute (Eve, After the Fall) 1881 (cast executed 1913) Bronze, 172.72 x 53.34 x 63.5 cm Buffalo AKG Art Museum, Buffalo Auguste Rodin was deeply inspired by tradition, yet rebelled against idealized forms. He introduced…
Moore, Henry (1898-1986) Reclining Figure 1935–1936 Elm wood, 48.26 x 93.34 x 44.45 cm Buffalo AKG Art Museum, Buffalo In 1924 Henry Moore began exploring the theme of the reclining figure, and he eventually began seeing parallels between the motif and…
Matisse, Henri (1869-1954) Deux femmes (Two Women) c.1908 Bronze, 45.7 x 25.7 cm Cleveland Museum of Art, Cleveland Matisse based this sculpture on a photograph of two women embracing, but translated it into a more compact, three-dimensional composition by fusing their…
Claudel, Camille (1864-1943) L’Implorante (The Implorer) modeled 1898, cast c.1905 Bronze, 27.9 × 36.8 × 21.3 cm, 5.3 kg Metropolitan Museum of Art, New York Camille Claudel, Rodin’s most brilliant student, was consumed by her twelve-year affair with the sculptor. In…
Renoir, Pierre-Auguste (1841-1919) Vénus victorieuse (Venus Victorious) 1914 Bronze, 182.6 x 81.3 x 111.1 cm Clark Art Institute, Williamstown Compare: Renoir, Auguste (1841-1919) Venus Victrix 1914–1916 Musée d’Orsay, Paris
Renoir, Pierre-Auguste (1841-1919) Venus Victrix 1914–1916 Gum-lacquered patina plaster, 192 x 134 x 73 cm Musée d’Orsay, Paris Compare: Renoir, Auguste (1841-1919) Vénus victorieuse 1914 Clark Art Institute, Williamstown