Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Michelangelo (1475-1564) David 1501–1504 Carrara marble, height 517 cm Galleria dell’Accademia, Firenze
Michelangelo (1475-1564) Bacco (Bacchus) 1496–1497 Marble, h. 207 cm Museo del Bargello, Firenze Detail of satyr eating grapes.
Michelangelo (1475-1564) Battaglia dei centauri (Battle of the Centaurs) 1490–1492 Marble bas-relief, 84.5 x 88 cm Casa Buonarroti, Firenze
Michelangelo (1475-1564) Madonna della Scala (Madonna of the Stairs) c.1490 Marble bas-relief, 56.7 x 40.1 cm Casa Buonarroti, Firenze
Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo’s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. Detail: A photograph by Aurelio Amendola, from the book “Michelangelo: La Dotta Mano”. See also:…
Bernini, Gian Lorenzo (1598-1680) Il Ratto di Proserpina (The Rape of Proserpina) 1621–1622 Marble, 255 cm Galleria Borghese, Roma
Bernini, Gian Lorenzo (1598-1680) Anima dannata (Damned soul) 1619 Marble, 38 cm Palazzo di Spagna, Roma