Carpaccio, Vittore (c.1460-c.1526) Madonna che legge (The Virgin Reading) c.1505 Oil on panel transferred to canvas, 78 x 51 cm National Gallery of Art, Washington Carpaccio reimagined the Madonna and Child theme when he made this painting. Instead of wearing a traditional…
Schiele, Egon (1890-1918) Portrait of Doctor X 1910 Black pastel and watercolor on paper, 39.7 x 29.2 cm Wadsworth Atheneum, Hartford
Renoir, Pierre-Auguste (1841-1919) Madame Renoir c.1910 Oil on canvas, 80 x 64 cm Wadsworth Atheneum, Hartford See also: • Charigot, Aline (1859-1915)
Matisse, Henri (1869-1954) Grande liseuse (Woman Reading) c.1922 Lithograph, 53.3 x 38.7 cm Wadsworth Atheneum, Hartford
Matisse, Henri (1869-1954) Le chapeau en plumes d’autruche (The Ostrich-Feather Hat) 1918 Oil on canvas, 49.2 x 38.3 cm Wadsworth Atheneum, Hartford From 1917 until 1930, Matisse spent much of his time in the resort city of Nice in southern France. During…
Hassam, Childe (1859-1935) The Flag Outside her Window, April, 1918 (The Boys Marching By) 1918 Oil on canvas, 81.3 x 72.1 cm Wadsworth Atheneum, Hartford A young woman turns her attention to the parade for Preparedness Day, an event marking America’s participation…
Boccioni, Umberto (1882-1916) Mia madre che lavora (My Mother Working) 1907 Drypoint printed in black on wove paper, 36.2 × 31 cm National Gallery of Art, Washington See also: • Boccioni, Cecilia Forlani (?)
De Morgan, Evelyn (1855-1919) The Love Potion 1903 Oil on canvas, 104.14 x 52.07 cm De Morgan Collection Evelyn De Morgan painted several subjects using medieval themes and stylistic devices which had been made popular by the Pre-Raphaelites, these paintings included…
De Morgan, Evelyn (1855-1919) William De Morgan 1909 Oil on canvas, 68.8 x 54.8 cm National Portrait Gallery, London Painted by his wife, the renowned artist Evelyn de Morgan, this portrait shows De Morgan ‘surrounded by tokens of his two professions’, holding…
De Morgan, Evelyn (1855-1919) The Hourglass 1904–1905 Oil on canvas, 121.2 x 108.2 cm De Morgan Collection Evelyn De Morgan‘s sister Mrs Stirling wrote the following description in 1924: In an ancient chair, inlaid with ivory, a woman is seen seated.…