Renoir, Pierre-Auguste (1841-1919) Le Guitariste espagnol (The Spanish Guitarist) 1894 Oil on canvas, 65.4 × 54.6 cm Detroit Institute of Arts, Detroit
Le Guitariste espagnol (1894)
Tag: seated
Graziella (1896)
Renoir, Pierre-Auguste (1841-1919) Graziella 1896 Oil on canvas, 65.4 × 54 cm Detroit Institute of Arts, Detroit
Santa Maria Maddalena (c.1620)
Gentileschi, Artemisia (1593-c.1653) Santa Maria Maddalena (St. Mary Magdalene) c.1620 Oil on canvas, 146.5 x 108 cm Galleria Palatina, Palazzo Pitti, Firenze Mary Magdalen was a much-loved subject both by painters and the public because she represented the ideal model of the…
Ritratto di un collezionista (c.1523)
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Visione di san Girolamo (1526-1527)
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Santa Taide
Parmigianino (1503-1540) Santa Taide (Saint Thaïs) s.d. Etching National Gallery of Art, Washington
Lucrezia (c.1539)
Parmigianino (1503-1540) Lucrezia (Lucretia) c.1539 Watercolor over black chalk, 29.8 x 20.9 cm National Gallery of Art, Washington
Uomo che sospende la lettura (1525-1526)
Parmigianino (1503-1540) Uomo che sospende la lettura (Portrait of a man with a book) 1525–1526 Oil on poplar, 67.5 × 53 cm Kunsthistorisches Museum, Vienna The stranger has paused while reading and now seems to be indulging in his own thoughts. His…
Ritratto di dama (1520-1524)
Correggio (c.1489-1534) Ritratto di dama (Portrait of a Lady) 1520–1524 Oil on canvas, 103 × 87.5 cm Hermitage Museum, Saint Petersburg A sensual version of Raphaelesque grace was produced by Antonio Allegri, known as Correggio, a painter who worked in Parma.…
Lady Affixing Pennant to a Knight’s Spear (c.1856)
Siddal, Elizabeth (1829-1862) Lady Affixing Pennant to a Knight’s Spear c.1856 Watercolour on paper, 13.7 x 13.7 cm Tate Britain, London Elizabeth Siddall began painting in 1852 and made over a hundred works in the following ten years. Her style and subject…