Vermeer, Jan (1632-1675) The Lacemaker (De kantwerkster) 1669–1670 Oil on canvas transferred to panel, 24 x 21 cm Musée du Louvre, Paris The motif of the lacemaker at work is traditionally a sign of domestic virtue, tinged with religious moralism (the…
Vermeer, Jan (1632-1675) Christ in the House of Martha and Mary (Christus in het huis van Martha en Maria) 1654–1656 Oil on canvas, 158.5 x 141.5 cm Scottish National Gallery, Edinburgh
Bellini, Giovanni (c.1430-1516) Allegoria sacra (Sacred Allegory) c.1490–1500 Oil on wood panel, 73 x 119 cm Galleria degli Uffizi, Firenze One of the most enigmatic and fascinating works of the Italian Renaissance, this painting by Bellini shows the Madonna seated on…
Van Gogh, Vincent (1853-1890) The Potato Eaters (De aardappeleters) 1885 Oil on canvas mounted on panel, 73.9 x 95.2 cm Kröller-Müller Museum, Otterlo (F 78, JH 734) Test of mastery The potato eaters is the most ambitious painting of Van Gogh’s…
Van Gogh, Vincent (1853-1890) The Potato Eaters (De Aardappeleters) 1885 Oil on canvas, 82 x 114 cm Van Gogh Museum, Amsterdam F0082-JH0764 Nuenen, April-May 1885 Van Gogh saw the Potato Eaters as a showpiece, for which he deliberately chose a difficult…
Manet, Édouard (1832-1883) La Musique aux Tuileries (Music in the Tuileries Gardens) 1862 Oil on canvas, 76.2 x 118.1 cm National Gallery, London Portraits included in the painting: Image: The National Gallery, London 1. Édouard Manet (1832-1883) 2. Comte Albert de Balleroy (1828-1872) 3. Champfleury…
Manet, Édouard (1832-1883) Le Chemin de fer (The Railway, Gare Saint-Lazare) 1873 Oil on canvas, 93.3 x 111.5 cm National Gallery of Art, Washington Edouard Manet offers an intriguing study in contrasts and ambiguity in The Railway, starting with the relationship between…
Bruegel the Elder, Pieter (c.1525-1569) The Dormition of the Virgin c.1564 Oil on panel, 67.7 x 85.3 x 12.6 cm Upton House and Gardens, England This ‘grisaille’, or grey monochrome painting, shows the death of the Virgin, attended by the…
Bruegel the Elder, Pieter (c.1525-1569) The Peasant Wedding c.1568 Oil on oak, 113 × 164 × 3.2 cm Kunsthistorisches Museum, Vienna The apparent “snapshot” of this picture is in fact carefully composed. Dispensing with allegorical meaning the painting is a realistic…
Leonardo da Vinci (1452-1519) Sant’Anna, la Vergine e il Bambino con l’agnellino (Virgin and Child with St Anne) c.1503–1519 Oil on poplar, 168 x 130 cm Musée du Louvre, Paris This painting was started around 1503 at least, in Florence, then was…