Sisley, Alfred (1839-1899) Les Meules de paille à Moret, effet du matin (Haystacks at Moret, Morning light) 1891 Oil on canvas, 73.8 × 93.1 cm National Gallery of Victoria, Melbourne See also: • Moret-sur-Loing (France)
Sisley, Alfred (1839-1899) Vue de Marly-le-Roi, effet de soleil (View of Marly-le-Roi, sun effect) 1876 Oil on canvas, 54.2 × 73.2 cm Art Gallery of Ontario, Toronto See also: • Marly-le-Roi (France)
Tissot, James (1836-1902) La Convalescente (The Convalescent) 1872 Oil on wood, 37.5 x 45.7 cm Art Gallery of Ontario, Toronto
Caravaggio (1571-1610) Vocazione di San Matteo (The Calling of St Matthew) 1599–1600 Oil on canvas 322 x 340 cm Cappella Contarelli, San Luigi dei Francesi, Roma
Caravaggio (1571-1610) Canestra di frutta (Basket of Fruit) c.1597–1600 Oil on canvas, 54.5 × 67.5 cm Pinacoteca Ambrosiana, Milano This is probably the most famous painting in the collection of Cardinal Federico Borromeo, which formed the original nucleus of the Pinacoteca Ambrosiana.…
Caravaggio (1571-1610) Bacco (Bacchus) c.1598 Oil on canvas, 95 x 85 cm Galleria degli Uffizi, Firenze This painting is part of the author’s early series of half-length portraits painted ‘in chiaro’, which includes works such as the ‘Fruttaiolo’ (Boy with a…
Caravaggio (1571-1610) Riposo durante la Fuga in Egitto (Rest on the Flight into Egypt) 1597 Oil on canvas, 135.5 x 166.5 cm Galleria Doria Pamphilj, Roma The “Rest” is a masterpiece of extraordinary beauty and exceptional communicative immediacy by the young…
Caravaggio (1571-1610) Maddalena penitente (Penitent Magdalene) 1597 Oil on canvas, 122.5 x 98.5 cm Galleria Doria Pamphilj, Roma Portrayed in an unadorned environment and sitting on a low chair, as if crushed by the shot from above, with a single ray…
Caravaggio (1571-1610) Concerto di giovani (The Musicians) 1597 Oil on canvas, 92.1 x 118.4 cm Metropolitan Museum of Art, New York While Cupid confirms Caravaggio’s allegorical frame for representing Music, the artist equally engages with contemporary performance and individualized models, including…
Caravaggio (1571-1610) Negazione di San Pietro (The Denial of Saint Peter) 1610 Oil on canvas, 94 x 125.4 cm Metropolitan Museum of Art, New York Caravaggio’s late works depend for their dramatic effect on brightly lit areas standing in contrast to a…