Tag: shadow

Nu couché (1923-1924)

Matisse, Henri (1869-1954) Nu couché (Reclining Nude) 1923–1924 Oil on canvas, 60 x 92 cm Barnes Foundation, Philadelphia Matisse painted this work in Nice, a city in the South of France that he visited frequently in the 1920s. The canvas is…

Avant le bain (c.1875)

Renoir, Pierre-Auguste (1841-1919) Avant le bain (Before the Bath) c.1875 Oil on canvas, 82 x 66.5 cm Barnes Foundation, Philadelphia When Renoir first exhibited this painting publicly, at an 1875 auction in Paris, audiences were shocked by its naturalism. Rather than…

La Famille Henriot (c.1875)

Renoir, Pierre-Auguste (1841-1919) La Famille Henriot (Henriot Family) c.1875 Oil on canvas, 115.6 x 164.1 cm Barnes Foundation, Philadelphia Daytrips to the countryside around Paris became a popular form of leisure during the late 19th century. Renoir alludes to this kind…

La conquista del filosofo (1913-1914)

De Chirico, Giorgio (1888-1978) La conquista del filosofo (The Philosopher’s Conquest) 1913–1914 Oil on canvas, 125.1 × 99.1 cm Art Institute of Chicago, Chicago The work of Giorgio de Chirico represents an unexpected form of classicism in early avant-garde painting. This…

Nocturne: Blue and Gold—Southampton Water (1872)

Whistler, James Abbott McNeill (1834-1903) Nocturne: Blue and Gold—Southampton Water 1872 Oil on canvas, 51 × 76.7 cm Art Institute of Chicago, Chicago In the early 1870s James McNeill Whistler took a radical step toward abstraction with his Nocturnes series. In…

The Girl by the Window (1893)

Munch, Edvard (1863-1944) The Girl by the Window 1893 Oil on canvas, 96.5 × 65.4 cm Art Institute of Chicago, Chicago Edvard Munch’s life and art — particularly his iconic work The Scream (1893; National Museum, Oslo) — have come to epitomize modern notions of…

La crucifixión (1627)

Zurbarán, Francisco de (1598-1664) La crucifixión (The Crucifixion) 1627 Oil on canvas, 290.3 × 165.5 cm Art Institute of Chicago, Chicago Beginning in the mid-sixteenth century, the Roman Catholic Church clarified and reaffirmed its doctrine and practices in an effort to…

L’invention des monstres (1937)

Dalí, Salvador (1904-1989) L’invention des monstres (Invention of the monsters) 1937 Oil on canvas, 51.4 x 78.1 cm Art Institute of Chicago, Chicago © Salvador Dalí, Fundació Gala-Salvador Dalí / Artists Rights Society (ARS), New York, 2018 Salvador Dalí, Surrealism’s most…

Le panier de pommes (c.1893)

Cézanne, Paul (1839-1906) Le panier de pommes (The Basket of Apples) c.1893 Oil on canvas, 65 × 80 cm Art Institute of Chicago, Chicago Art, Paul Cézanne once claimed, is “a harmony running parallel to nature,” not an imitation of nature.…