Tag: shadow

Portrait of Aechje Claesdr (1634)

Rembrandt (1606-1669) Portrait of Aechje Claesdr 1634 Oil on oak, 71.1 x 55.9 cm National Gallery, London The optical illusion created by this painting, is a powerful one. Rembrandt has used contrasts between light and dark – for example, the…

Portrait of Titus van Rijn (c.1662)

Rembrandt (1606-1669) Portrait of Titus van Rijn c.1662 Oil on canvas, 72 x 56 cm Musée du Louvre, Paris Since 1873 (Bode), considered a portrait of Titus, Rembrandt‘s son, while the painting passed for a long time (end of the…

Venus and Cupid (after 1660)

Rembrandt (1606-1669) Venus and Cupid after 1660 Oil on canvas, 118 x 90 cm Musée du Louvre, Paris Former title: Hendrickje Stoffels as Venus For vague reasons of resemblance, the painting passes, a pure supposition of Bredius (1910), to represent…

Portrait of Hendrickje Stoffels (c.1654)

Rembrandt (1606-1669) Portrait of Hendrickje Stoffels c.1654 Oil on canvas, 74 x 61 cm Musée du Louvre, Paris Since 1883 (Bode), the model has passed convincingly to be Hendrickje Stofetls, the painter’s partner after Saskia‘s death in 1642. Typical Neo-Vetanian…

The Supper at Emmaus (1648)

Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…

The Holy Family with St Anne (1640)

Rembrandt (1606-1669) The Holy Family with St Anne 1640 Oil on panel, 41 x 34 cm Musée du Louvre, Paris The Christian meaning of the painting has often been obliterated in favor of a purely secular interpretation: for example at…

Bathsheba at Her Bath (1654)

Rembrandt (1606-1669) Bathsheba at Her Bath 1654 Oil on canvas, 142 x 142 cm Musée du Louvre, Paris Subject taken from the Bible (II Book of Samuel, the importance of the letter delivered to Bathsheba, the strong point of an…

Titus at His Desk (1655)

Rembrandt (1606-1669) Titus at His Desk 1655 Oil on canvas, 77 x 63 cm Museum Boijmans Van Beuningen, Rotterdam It is possible that this is a portrait of Rembrandt‘s son Titus around the age of fourteen. Slumped over his papers,…