Dürer, Albrecht (1471-1528) Self-Portrait or Portrait of the Artist Holding a Thistle 1493 Parchment glued on canvas, 56.5 x 44.5 cm Musée du Louvre, Paris Dürer‘s first painted self-portrait, possibly an engagement portrait – the thistle or panicaut (eryngium), which Dürer…
Murillo, Bartolomé Esteban (1617-1682) Virgen con el Niño (Virgin and Child) 1670s Oil on canvas, 165.7 x 109.2 cm Metropolitan Museum of Art, New York Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. Often referred…
Murillo, Bartolomé Esteban (1617-1682) Crucifixión (Crucifixion) c.1675 Oil on canvas, 50.8 x 33 cm Metropolitan Museum of Art, New York This oil sketch helped Murillo to prepare a large painting that is today in the Museo del Prado in Madrid. The artist’s…
Murillo, Bartolomé Esteban (1617-1682) La Anunciación (Annunciation) c.1650 Oil on canvas, 183 x 225 cm Museo del Prado, Madrid The Archangel Gabriel has descended from the heavens and kneels before Mary to announce the birth of Christ. The Angel holds some white…
Murillo, Bartolomé Esteban (1617-1682) Sagrada Familia del pajarito (Holy Family with a Bird) c.1650 Oil on canvas, 144 x 188 cm Museo del Prado, Madrid A domestic scene filled with tenderness showing the Virgin Mary winding a skein of thread and…
Whistler, James Abbott McNeill (1834-1903) Gold and Brown: Self-Portrait c.1896–1898 Oil on canvas, 62.5 x 46.8 cm National Gallery of Art, Washington Known for his biting wit, extravagant style, and personal eccentricities, the publicity-conscious Whistler used self-portraiture as a means to…
Whistler, James Abbott McNeill (1834-1903) Mother of Pearl and Silver: The Andalusian c.1888 (?)-1900 Oil on canvas, 191.5 x 89.8 cm National Gallery of Art, Washington Ethel Philip, Whistler‘s sister-in-law and a favorite subject of the artist, whose likeness appears in…
Whistler, James Abbott McNeill (1834-1903) Symphony in White, No. 1: The White Girl 1861–1863, 1872 Oil on canvas, 213 x 107.9 cm National Gallery of Art, Washington When Whistler submitted The White Girl to the Paris Salon in 1863, the tradition–bound…
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…