Pissarro, Camille (1830-1903) Place du Théâtre Français, Paris: Pluie (Place du Théâtre Français, Paris: Rain) 1898 Oil on canvas, 73.66 x 91.44 cm Minneapolis Institute of Art, Minneapolis After a chronic eye infection limited the amount of time Camille Pissarro could spend…
Monet, Claude (1840-1926) Meule, soleil dans la brume (Grainstack, Sun in the Mist) 1891 Oil on canvas, 60 x 100.3 cm Minneapolis Institute of Art, Minneapolis In the late 1880s, Claude Monet analyzed visual perception by representing the same subject under varying…
Monet, Claude (1840-1926) Le Pont japonais (The Japanese Bridge) c.1923–1925 Oil on canvas, 88.9 x 116.21 cm Minneapolis Institute of Art, Minneapolis In 1883, Claude Monet moved to Giverny, about forty miles northwest of Paris. For the rest of his life, he…
Gonzalès, Eva (1849-1883) Vase de pivoines (Vase of Peonies) c.1875–1876 Oil on canvas, 79.85 × 63.34 cm Minneapolis Institute of Art, Minneapolis Eva Gonzales was Édouard Manet‘s only formal student and modeled frequently for several members of the Impressionist group. A plethora…
Boucher, François (1703-1770) La Fontaine de Vénus (Fountain of Venus) 1756 Oil on canvas, 233 x 215 cm Cleveland Museum of Art, Cleveland Lighthearted, erotic decorative schemes remained popular among the French aristocracy throughout the 1700s. In this painting, part of the…
La Tour, Georges de (1593-1652) Les Larmes de saint Pierre (The Tears of Saint Peter / Saint Peter Repentant) 1645 Oil on canvas, 114 x 95 cm Cleveland Museum of Art, Cleveland During Jesus’s arrest on the night of the Last Supper,…
Rossetti, Dante Gabriel (1828-1882) Giotto Painting Dante’s Portrait c.1859 Watercolor, gouache, and graphite on cream wove paper, mounted to paper-backed canvas, 47.6 x 56.4 cm Fogg Museum, Cambridge, MA Compare: Rossetti, Dante Gabriel (1828-1882) Giotto Painting the Portrait of Dante 1852 Private collection…
Van Dyck, Anthony (1599-1641) Portrait of a Judge c.1620 Oil on canvas, 117 x 98 cm Musée Jacquemart-André, Paris With its two influences—that of the Antwerp tradition complemented by the Venetian influence—this splendid portrait of a magistrate could only have been executed…
Guardi, Francesco (1712-1793) Portico veneziano (Venetian portico / Imaginary Portico) c.1760 Gouache on paper, 53 x 39 cm Musée Jacquemart-André, Paris The picture combines realism and fantasy, using a technique that was quite unusual for Guardi: gouache on paper, which gives the…
Fragonard, Jean-Honoré (1732-1806) Les débuts du modèle (The New model) c.1770 Oil on canvas, 50 x 63 cm Musée Jacquemart-André, Paris Baron Portalis, one of the artist’s greatest connoisseurs, underlined the artist’s brilliant execution: ‘Imagine everything of the fairest, pinkest, and lightest…