Vuillard, Édouard (1868-1940) Intérieur ensoleillé (Sunlit Interior) c.1920 Distemper on paper on canvas, 83.2 x 63.8 cm Tate Britain, London This picture appears in the Bernheim-Jeune records under the title used here. Jacques Salomon wrote (20 October 1969) that it represents…
Tiziano (c.1488-1576) Incoronazione di spine (The Crowning with Thorns) 1540–1543 Oil on panel, 303 x 180 cm Musée du Louvre, Paris Painted between 1540 and 1543 for the Confraternità di Santa Corona and placed in the funerary chapel of the brotherhood (decorated…
Reynolds, Joshua (1723-1792) Self-Portrait as a Deaf Man c.1775 Oil on canvas, 75.9 x 63.4 cm Tate Britain, London Creating self-portraits in character or pulling a face was a traditional form of student exercise. But this image was created when the…
Reynolds, Joshua (1723-1792) Self-Portrait when Young 1753–1758 Oil on canvas, 73.7 x 61.6 cm Tate Britain, London This self-portrait was probably painted soon after Reynolds set up a studio in London in 1753. He had spent the previous three years studying art…
Reynolds, Joshua (1723-1792) Self-Portrait c.1775 Oil on canvas, 73.7 x 61 cm Tate Britain, London This is one of Reynolds‘s most explicit attempts to rival Rembrandt as a self-portraitist. By the time he painted this work, he was the most famous…
Rembrandt (1606-1669) Jupiter and Antiope 1659 Etching, 13.9 x 20.1 cm Rijksmuseum, Amsterdam Rembrandt depicts the slumbering Antiope so convincingly that it seems he is drawing a model actually sleeping soundly. She lies in a totally relaxed pose, her lips parted and her…
Picasso, Pablo (1881-1973) Faune dévoilant une dormeuse / Jupiter et Antiope, d’après Rembrandt (Faun Revealing a Sleeping Woman/Jupiter and Antiope, after Rembrandt) 1936 Etching and aquatint on paper, 31.6 x 41.7 cm Tate Britain, London Pablo Picasso’s Faun Revealing a Sleeping…
Poussin, Nicolas (1594-1665) Paysage avec un homme tué par un serpent (Landscape with a Man killed by a Snake) probably 1648 Oil on canvas, 118.2 x 197.8 cm National Gallery, London A man has been crushed by a snake and lies…
Magritte, René (1898-1967) L’Homme au journal (Man with a Newspaper) 1928 Oil on canvas, 115.6 x 81.3 cm Tate Britain, London Magritte’s deadpan style is seen clearly in these four simply painted scenes. Each section seems to be exactly the same,…
Magritte, René (1898-1967) L’Annonciation (The Annunciation) 1930 Oil on canvas, 113.7 x 145.9 cm Tate Britain, London The objects in this painting appear to be a metal sheet with bells, a paper cut-out and two balusters (Magritte referred to similar objects…