Andrea del Sarto (1486-1530) Domenico di Jacopo di Matteo, called ‘Becuccio Bicchieraio’ c.1528–1530 Oil on panel, 86 x 67 cm Scottish National Gallery, Edinburgh Compare: Andrea del Sarto (1486-1530) Domenico da Gambassi c.1525–1528 Art Institute of Chicago, Chicago See also: • Gambassi,…
Allori, Alessandro (1535-1607) Francesco de’ Medici c.1560 Oil on poplar panel, 97.9 × 76.4 cm Art Institute of Chicago, Chicago See also: • Francesco I de’ Medici (1541-1587)
Veronese, Paolo (1528-1588) Il martirio e l’ultima comunione di Santa Lucia (The Martyrdom and Last Communion of Saint Lucy) 1585–1586 Oil on canvas, 139.7 x 173.4 cm National Gallery of Art, Washington While exposing her breast to the thrust of the dagger…
Vasari, Giorgio (1511-1574) San Luca (Saint Luke) 1570–1571 Oil on panel, 177.8 × 99.1 cm National Gallery of Art, Washington The Saint Luke and Saint Mark panels were part of a commission from Pope Pius V in 1569 to decorate the newly…
Vasari, Giorgio (1511-1574) San Marco (Saint Mark) 1570–1571 Oil on panel, 177.8 × 99.1 cm National Gallery of Art, Washington The Saint Luke and Saint Mark panels were part of a commission from Pope Pius V in 1569 to decorate the newly built Torre Pio (Pius Tower) in…
Signorelli, Luca (c.1445-1523) Madonna col Bambino, santi e angeli (Madonna and Child with Saints and Angels) mid or late 1510s Oil on panel transferred to hardboard, 155.7 x 135.6 cm National Gallery of Art, Washington
Redon, Odilon (1840-1916) Village breton (Breton Village) c.1890 Oil on canvas, 22.5 x 32.5 cm National Gallery of Art, Washington See also: • Bretagne (France)
Memling, Hans (c.1430-1494) Portrait of a Man with an Arrow c.1470–1475 Oil on panel, 31.3 x 25.1 cm National Gallery of Art, Washington Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the…
Memling, Hans (c.1430-1494) Madonna and Child with Angels after 1479 Oil on panel, 57.6 x 46.4 cm National Gallery of Art, Washington In the tradition of his Flemish predecessors, Memling‘s painting contains a wealth of religious meaning; it is filled with symbols…
Memling, Hans (c.1430-1494) Chalice of Saint John the Evangelist (reverse) c.1470–1475 Oil on panel, 30.2 x 23 cm National Gallery of Art, Washington Obverse: Memling, Hans (c.1430-1494) Saint Veronica c.1470–1475 National Gallery of Art, Washington