Perugino (c.1446-1523) L’Arcangelo Michele (The Archangel Michael) c.1496–1500 Oil and egg temera on poplar, 114.7 x 56.6 cm National Gallery, London This was the left panel of the predella of an altarpiece made for the Duke of Milan, Ludovico Sforza. Altarpiece,…
Perugino (c.1446-1523) Madonna col Bambino e un angelo (The Virgin and Child with an Angel) c.1496–1500 Oil and egg temera on poplar, 114 x 63.5 cm National Gallery, London This was the central panel of the predella of an altarpiece made for…
Perugino (c.1446-1523) Madonna col Bambino e santi (Madonna and Child with Saints) 1493 Oil on poplar wood, 186 × 172 cm Kunsthistorisches Museum, Vienna Mary with Child and St. Peter, John the Evangelist (?), John the Baptist and Paul. Signature: On the…
Perugino (c.1446-1523) San Girolamo penitente (Penitent St. Jerome) c.1502 Oil on olive wood, 29.7 × 22.5 cm Kunsthistorisches Museum, Vienna Attributed to Perugino (c.1446-1523) Perugino was one of the first Central Italian painters to experiment with complicated oil glazes. Inspired by the…
Perugino (c.1446-1523) Battesimo di Cristo (Baptism of Christ) c.1498–1500 Oil on olive wood, 30 × 23 x 2.2 cm Kunsthistorisches Museum, Vienna Perugino used his successful inventions again and again. This baptism goes back to his fresco in the Sistine Chapel. More…
Perugino (c.1446-1523) Madonna col Bambino e due sante (Madonna and Child with Two Saints) c.1493–1495 Oil on poplar wood, 86.5 × 63 cm Kunsthistorisches Museum, Vienna “PETRUS PERUSINUS PINXIT” reads the signature placed bottom left in this half-length composition. Perugino‘s handling of…
Perugino (c.1446-1523) Compianto sul Cristo morto (Lamentation over the Dead Christ) 1495 Oil on wood, 220 x 195 cm Galleria Palatina, Palazzo Pitti, Firenze Inscription: PETRUS PERUSINUS PINXIT A.D. MCCCCLXXXXV The body of Christ taken down from the cross is lying over…
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Perugino (c.1446-1523) San Girolamo (Saint Jerome) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Giotto (c.1267-1337) San Francesco riceve le stimmate (St. Francis receiving the stigmata) c.1300–1325 Tempera and gold on poplar, 313 x 163 cm Musée du Louvre, Paris Signature: OPUS IOCTI FLORENTINI (“Work of Florentine Giotto”). At the predella: The dream of Innocent…