Velázquez, Diego (1599-1660) Los borrachos, o El triunfo de Baco (The Drunkards, or The Triumph of Bacchus) 1628–1629 Oil on canvas, 165 x 225 cm Museo del Prado, Madrid Documentation of payment received by Velázquez in July 1629 for an…
Tiziano (c.1488-1576) Le tre età dell’uomo (The Three Ages of Man) 1512–1514 Oil on canvas, 90 x 150.7 cm Scottish National Gallery, Edinburgh This early work depicts the three stages of life: infancy, adulthood and old age. Cupid clambers over the sleeping…
Tiziano (c.1488-1576) Flora c.1517 Oil on canvas, 79.7 x 63.5 cm Galleria degli Uffizi, Firenze A young woman emerges from the brown background of the painting, holding out a bouquet of spring flowers, consisting of violets, rosebuds and jasmine. She is dressed…
Tiziano (c.1488-1576) Amor sacro e amor profano (Sacred and Profane Love) 1515–1516 Oil on canvas, 118 x 278 cm Galleria Borghese, Roma This work was probably sold to Scipione Borghese in 1608 by Cardinal Paolo Emilio Sfondrati. A veritable interpretative enigma, critics…
Corot, Jean-Baptiste-Camille (1796-1875) Agostina 1866 Oil on canvas, 132.4 x 97.6 cm National Gallery of Art, Washington This model was likely an immigrant from the rural region near Rome. Corot dressed her in traditional costume and placed her in an Italian…
Klimt, Gustav (1862-1918) The Kiss/Lovers (Der Kuss/Liebespaar) 1908 (completed 1909) Oil and gold on canvas, 180 x 180 cm Österreichische Galerie Belvedere, Vienna The Kiss (Lovers) by Gustav Klimt is the most famous Austrian painting and the highlight of the permanent collection at…
Goya, Francisco de (1746-1828) Corral de locos (Yard with Madmen) 1794 Oil on tin-plated iron, 42.9 x 31.4 cm Meadows Museum, Dallas Compare: Goya, Francisco de (1746-1828) Casa de locos after 1794 Österreichische Galerie Belvedere, Vienna
Goya, Francisco de (1746-1828) San Francisco de Borja y el moribundo impenitente (St Francis Borja at the Deathbed of an Impenitent) 1788 Oil on canvas, 350 x 300 cm Catedral de Valencia, Valencia See also: • Francis Borgia, 4th Duke of Gandía
Caillebotte, Gustave (1848-1894) Périssoires (Canoes) 1878 Oil on canvas, 155.5 x 108.5 cm Musée des Beaux-Arts, Rennes The training of Caillebotte, a student of Bonnat, seemed so short to the critic Émile Porcheron that he accused him of “tortizing perspective”. But…
Caillebotte, Gustave (1848-1894) Un homme à son bain (Man at His Bath) 1884 Oil on canvas, 144.8 x 114.3 cm Museum of Fine Arts, Boston This painting presents an unusually intimate scene from everyday life at the grand scale once reserved…