Rosso Fiorentino (1495-1540) Pietà c.1530–1540 Oil on wood transferred to canvas, 127 x 163 cm Musée du Louvre, Paris
Pietà (c.1530-1540)
Tag: shoulder
Baiser (19th century)
La pêcheuse (4th quarter of the 19th century)
Puvis de Chavannes, Pierre (1824-1898) La pêcheuse (The Fisherwoman) 4th quarter of the 19th century Oil on canvas, 41 x 33 cm Musée du Louvre, Paris Dedicated “to Miss Alix Massé, her cordially devoted P. Puvis de Chavannes”.
Moïse sauvé des eaux (c.1638)
Poussin, Nicolas (1594-1665) Moïse sauvé des eaux (Moses saved from the waters) c.1638 Oil on canvas, 94 x 121 cm Musée du Louvre, Paris Featuring one of Nicolas Poussin‘s favorite subjects, this painting was very popular in the 17th century. It…
La felicità pubblica trionfa sui pericoli (1st quarter of the 17th century)
Gentileschi, Orazio (1563-1639) La felicità pubblica trionfa sui pericoli (Public happiness triumphs over dangers) 1st quarter of the 17th century Oil on canvas, 267 x 170 cm Musée du Louvre, Paris
San Girolamo penitente (1546)
Lotto, Lorenzo (1480-1557) San Girolamo penitente (Penitent Saint Jerome) 1546 Oil on canvas, 99 x 90 cm Museo del Prado, Madrid Lorenzo Lotto‘s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée…
San Girolamo (c.1638-1640)
Ribera, Jusepe de (1591-1652) San Girolamo (Saint Jerome) c.1638–1640 Oil on canvas, 129 x 100.3 cm Cleveland Museum of Art, Cleveland Saint Jerome (about ad 347–420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study,…
San Sebastiano (c.1493)
Perugino (c.1446-1523) San Sebastiano (Saint Sebastian) c.1493 Metalpoint, 25.6 x 14.6 cm Cleveland Museum of Art, Cleveland The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings. He used the elegant,…
Soldado herido (1930)
Orozco, José Clemente (1883-1949) Soldado herido (Wounded Soldier) 1930 Oil on canvas, 113 x 93 cm Cleveland Museum of Art, Cleveland The central figure in a movement of revolutionary artists responding to political turmoil in Mexico during the 1920s, José Orozco believed…
Persée et Andromède (c.1819)
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…