Puvis de Chavannes, Pierre (1824-1898) La pêcheuse (The Fisherwoman) 4th quarter of the 19th century Oil on canvas, 41 x 33 cm Musée du Louvre, Paris Dedicated “to Miss Alix Massé, her cordially devoted P. Puvis de Chavannes”.
Poussin, Nicolas (1594-1665) Moïse sauvé des eaux (Moses saved from the waters) c.1638 Oil on canvas, 94 x 121 cm Musée du Louvre, Paris Featuring one of Nicolas Poussin‘s favorite subjects, this painting was very popular in the 17th century. It…
Gentileschi, Orazio (1563-1639) La felicità pubblica trionfa sui pericoli (Public happiness triumphs over dangers) 1st quarter of the 17th century Oil on canvas, 267 x 170 cm Musée du Louvre, Paris
Lotto, Lorenzo (1480-1557) San Girolamo penitente (Penitent Saint Jerome) 1546 Oil on canvas, 99 x 90 cm Museo del Prado, Madrid Lorenzo Lotto‘s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée…
Tiziano (c.1488-1576) La Bella (Portrait of a Lady) 1536–1538 Oil on canvas, 89 × 75.5 cm Galleria Palatina, Palazzo Pitti, Firenze The female portrait, known by its complimentary epithet “La Bella”, is one of the most famous paintings of the later years of…
Ribera, Jusepe de (1591-1652) San Girolamo (Saint Jerome) c.1638–1640 Oil on canvas, 129 x 100.3 cm Cleveland Museum of Art, Cleveland Saint Jerome (about ad 347–420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study,…
Perugino (c.1446-1523) San Sebastiano (Saint Sebastian) c.1493 Metalpoint, 25.6 x 14.6 cm Cleveland Museum of Art, Cleveland The Florentine painter Perugino made drawings to record figural types and poses that could be repeated throughout his finished paintings. He used the elegant,…
Orozco, José Clemente (1883-1949) Soldado herido (Wounded Soldier) 1930 Oil on canvas, 113 x 93 cm Cleveland Museum of Art, Cleveland The central figure in a movement of revolutionary artists responding to political turmoil in Mexico during the 1920s, José Orozco believed…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…