Tag: signature

Dans les Vagues (1889)

Gauguin, Paul (1848-1903) Dans les Vagues (In the Waves) 1889 Oil on fabric, 92.5 x 72.4 cm Cleveland Museum of Art, Cleveland Gauguin likely painted this work of art during his time in a small coastal village called Pont-Aven where he…

Portrait of a Woman (1646)

Flinck, Govert (1615-1660) Portrait of a Woman 1646 Oil on wood, 71.5 x 59.5 cm Cleveland Museum of Art, Cleveland Because of an inscription on the back, this painting was long considered a portrait of Anna Maria van Schurman, a prominent…

Le chant du berger (1891)

Puvis de Chavannes, Pierre (1824-1898) Le chant du berger (The Shepherd’s Song) 1891 Oil on canvas, 104.5 x 109.9 cm Metropolitan Museum of Art, New York Puvis adapted this composition from a mural that he made for the Musée des Beaux-Arts…

L’été (1891)

Puvis de Chavannes, Pierre (1824-1898) L’été (Summer) 1891 Oil on fabric, 149.6 x 232.4 cm Cleveland Museum of Art, Cleveland Puvis de Chavannes was considered one of the foremost artists in France in the second half of the 1800, and was…

Puvis de Chavannes (1876)

Desboutin, Marcellin (1823-1902) Puvis de Chavannes 1876 Etching Cleveland Museum of Art, Cleveland See also: • Puvis de Chavannes, Pierre (1824-1898)

Avant la course (c.1887-1889)

Degas, Edgar (1834-1917) Avant la course (Before the Race) c.1887–1889 Pastel on paper mounted to cardboard, 57.5 x 65.4 cm Cleveland Museum of Art, Cleveland When creating the series to which this pastel belongs, Edgar Degas was inspired by the 19th-century…

Le Troubadour (1868-1873)

Daumier, Honoré (1808-1879) Le Troubadour (The Troubadour) 1868–1873 Oil on fabric, 83.6 x 56.8 cm Cleveland Museum of Art, Cleveland Daumier was called the “Michelangelo of caricature” and especially renowned for his cartoons and drawings satirizing 19th-century French politics and society.…

Le chêne et le roseau (c.1873)

Daubigny, Charles-François (1817-1878) Le chêne et le roseau (The Oak Tree and the Reed) c.1873 Wash and graphite on paper, 29.3 x 23 cm Cleveland Museum of Art, Cleveland The Oak Tree and the Reed illustrates the fable of the same…

Étang à Ville-d’Avray (late 1860s)

Corot, Jean-Baptiste-Camille (1796-1875) Étang à Ville-d’Avray (Pond at Ville-d’Avray) late 1860s Oil on fabric, 58.1 x 99.4 cm Cleveland Museum of Art, Cleveland The dreamlike quality of the painting reflects Corot’s desire to reproduce the “first Impression” of the landscape. Corot…