Tag: signature

Les deux confrères, Avocats (1865-1870)

Daumier, Honoré (1808-1879) Les deux confrères, Avocats (The Two Colleagues, Lawyers) 1865–1870 Watercolor on paper, 25.4 × 19.8 cm Brooklyn Museum, New York The approximately four thousand lithographic caricatures that Honoré Daumier produced were widely circulated in nineteenth-century Paris, where they…

Lever de lune (1877)

Daubigny, Charles-François (1817-1878) Lever la lune (Moonrise) 1877 Oil on panel, 40.3 x 67.9 cm Brooklyn Museum, New York Lured by the tranquil waters of river-scapes, Charles-François Daubigny began to explore the river valleys outside Paris in the late 1850s from…

Le Rocher isolé (c.1862)

Courbet, Gustave (1819-1877) Le Rocher isolé (The Isolated Rock) c.1862 Oil on canvas, 64.8 x 81.3 cm Brooklyn Museum, New York Gustave Courbet’s paintings of the shorelines in Normandy portray the land as subject to continuous, if gradual, change. Here, he…

Jeunes filles de Sparte (1868-1870)

Corot, Jean-Baptiste-Camille (1796-1875) Jeunes filles de Sparte (Young Women of Sparta) 1868–1870 Oil on canvas, 42.5 x 74.8 cm Brooklyn Museum, New York Along with 42.196, this painting of a pale, contemplative young woman dressed in garments that conjure past times…

Le Havre, Le Port (1884)

Boudin, Eugène (1824-1898) Le Havre, Le Port (Le Havre, The Port) 1884 Oil on panel, 32.4 x 41.1 cm Brooklyn Museum, New York For Boudin, the sky—with its constant cloud motion and ever-changing light—proved a powerful source of inspiration throughout his…

Ritratto di giovane uomo (c.1480)

Bellini, Giovanni (c.1430-1516) Ritratto di giovane uomo (Portrait of a Young Man) c.1480 Tempera with oil glazes on panel, 26.7 x 21.3 cm Brooklyn Museum, New York Signed center bottom on cartellino: “IOHANNES BELLINUS” Sitting in the occhio e mezzo (eye…

Marée montante à Pourville (1882)

Monet, Claude (1840-1926) Marée montante à Pourville (Rising Tide at Pourville) 1882 Oil on canvas, 66 x 81.3 cm Brooklyn Museum, New York Inspired in part by Gustave Courbet’s marines of the 1860s, Claude Monet here conveys the choppy, windswept sea…

Chemin montant, rue de la Côte-du-Jalet, Pontoise (1875)

Pissarro, Camille (1830-1903) Chemin montant, rue de la Côte-du-Jalet, Pontoise (The Climb, Rue de la Côte-du-Jalet, Pontoise) 1875 Oil on canvas, 54 x 65.7 cm Brooklyn Museum, New York In this painting, Camille Pissarro departs from the legible perspectives of traditional…

L’Amazone (c.1875-1876)

Manet, Édouard (1832-1883) L’Amazone (The Equestrienne) c.1875–1876 Watercolor on paper, 20.8 x 27 cm Brooklyn Museum, New York In the mid-nineteenth century, the term amazone mockingly referred to fashionable Parisian women who preferred to ride on horseback instead of inside a…

Nature morte aux fraises (1914)

Renoir, Pierre-Auguste (1841-1919) Nature morte aux fraises (Still Life with Strawberries) 1914 Oil on canvas, 24.4 x 44.8 cm Brooklyn Museum, New York Still-life paintings often suggest a human presence, implying the viewer’s bodily relationship to a tabletop and investing inanimate…