Tag: signature

Femme nue sur un canapé (1915)

Renoir, Pierre-Auguste (1841-1919) Femme nue sur un canapé (Nude on a Couch) 1915 Oil on canvas, 54.4 x 65.3 cm Tate Britain, London See also: • Renard, Gabrielle (1878-1959)

Giverny (1889)

Monet, Claude (1840-1926) Giverny 1889 Oil on canvas, 65 x 81.5 cm Tel Aviv Museum of Art, Tel Aviv See also: • Giverny (France)

Brouillard à Guernesey (1883)

Renoir, Pierre-Auguste (1841-1919) Brouillard à Guernesey (Fog on Guernsey) 1883 Oil on canvas, 53.3 x 65.1 cm Cincinnati Art Museum, Cincinnati See also: • Guernsey (UK)

Sur le Grand Canal, Venise (1881)

Renoir, Pierre-Auguste (1841-1919) Sur le Grand Canal, Venise (Grand Canal, Venice) 1881 Oil on canvas, 54 x 65.1 cm Museum of Fine Arts, Boston When Renoir’s Venetian pictures were first exhibited, one critic called them, “the most outrageous series of ferocious…

Femme à la perruche (1871)

Renoir, Pierre-Auguste (1841-1919) Femme à la perruche (Woman with Parrot) 1871 Oil on canvas, 92.1 x 65.1 cm Guggenheim Museum, New York The woman holding the parakeet is Lise Tréhot, an artist’s model and Renoir’s close companion of six years. Tréhot…

La Baigneuse au griffon (1870)

Renoir, Pierre-Auguste (1841-1919) La Baigneuse au griffon, Lise au bord de la Seine (Bather with a Griffon Dog, Lise on the Bank of the Seine) 1870 Oil on canvas, 183.5 x 115 cm Museu de Arte, São Paulo Lise Tréhot (1848-1922) posed…

Aline Charigot (c.1885)

Renoir, Pierre-Auguste (1841-1919) Aline Charigot c.1885 Oil on canvas, 65.4 × 54 cm Philadelphia Museum of Art, Philadelphia Renoir first met Aline Charigot in late 1879. She soon became a favorite model and, in 1890, the artist’s wife. Charigot probably posed for…