Tag: signature

Lise cousant (1867-1868)

Renoir, Pierre-Auguste (1841-1919) Lise cousant (Lise Sewing) c.1867–1868 Oil on canvas, 56.52 × 46.36 cm Dallas Museum of Art, Dallas Pierre-Auguste Renoir met Lise Tréhot in the spring of 1866, when he painted in and around the Forest of Fontainebleau…

La Seine à Chatou (1874)

Renoir, Pierre-Auguste (1841-1919) La Seine à Chatou (The Seine at Chatou) 1874 Oil on canvas, 50.8 x 63.5 cm Dallas Museum of Art, Dallas “The Seine at Châtou” is among the finest, boldest, and best preserved of Renoir‘s landscapes from…

Fleurs (1915-1919)

Renoir, Pierre-Auguste (1841-1919) Fleurs (Flowers) 1915–1919 Oil on canvas, 24.13 × 24.77 cm Dallas Museum of Art, Dallas

Trois Femmes et nature morte, Déjeuner (1920)

Léger, Fernand (1881-1955) Trois Femmes et nature morte, Déjeuner (Three Women and Still Life) 1920 Oil on canvas, 74.3 × 92.08 cm Dallas Museum of Art, Dallas The monumental bodies of Three Women and Still Life (Déjeuner) are composed of…

La partie de cartes (1917)

Léger, Fernand (1881-1955) La partie de cartes (Soldiers Playing cards) 1917 Oil on canvas, 129.5 × 194.5 cm Kröller-Müller Museum, Otterlo Cylinder Fernand Léger begins working in a cubist style under the influence of Cézanne and later Picasso and Braque. However,…

Nature morte (1929)

Léger, Fernand (1881-1955) Nature morte (Still Life) 1929 Oil on canvas, 65.1 × 50.2 cm Metropolitan Museum of Art, New York This work belongs to Léger‘s “objects in space” series of the late 1920s and early 1930s. Although overlapping forms…

Le cycliste (1951)

Léger, Fernand (1881-1955) Le cycliste (The Bicyclist) 1951 Oil on canvas, 130.8 x 97.8 cm Metropolitan Museum of Art, New York Straddling a bicycle, a sturdy woman stands still. One foot rests on the right pedal, the other on the…