Rembrandt (1606-1669) A Franciscan Friar c.1655 Oil on canvas, 89 x 66.5 cm National Gallery, London This man is wearing the habit of a Franciscan friar (this order of monks was founded to follow the teachings of Saint Francis of…
Rembrandt (1606-1669) An Elderly Man as Saint Paul probably 1659 Oil on canvas, 102 x 85.5 cm National Gallery, London Between the late 1650s and early 1660s Rembrandt painted a series of intimate half-length pictures of religious figures. He seems…
Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…
Rembrandt (1606-1669) Belshazzar’s Feast c.1636–1638 Oil on canvas, 167.6 x 209.2 cm National Gallery, London Belshazzar’s Feast was painted somewhere between 1636 and 1638, when Rembrandt was about 30 years old. He had to make his way in Amsterdam, a…
Rembrandt (1606-1669) A Bearded Man in a Cap late 1650s Oil on canvas, 78 x 66.7 cm National Gallery, London This melancholy image of an old man lost in thought is one of a group of studies made by Rembrandt…
Rembrandt (1606-1669) Portrait of Aechje Claesdr 1634 Oil on oak, 71.1 x 55.9 cm National Gallery, London The optical illusion created by this painting, is a powerful one. Rembrandt has used contrasts between light and dark – for example, the…
Rembrandt (1606-1669) Portrait of Hendrickje Stoffels c.1654 Oil on canvas, 74 x 61 cm Musée du Louvre, Paris Since 1883 (Bode), the model has passed convincingly to be Hendrickje Stofetls, the painter’s partner after Saskia‘s death in 1642. Typical Neo-Vetanian…
Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…
Rembrandt (1606-1669) A Slaughtered Ox 1655 Oil on panel, 94 x 69 cm Musée du Louvre, Paris Painting of exceptional success in the work of the master, especially since other representations of this type, known under the name of Rembrandt,…
Rembrandt (1606-1669) Self-portrait, bare head 1633 Oil on panel, 60 x 47 cm Musée du Louvre, Paris The gorget, quite common in Rembrandt‘s self-portraits, worn by the artist under his clothing, contributes to his taste for disguises (here as a…