Tag: signature

Aux courses en province (1869)

Degas, Edgar (1834-1917) Aux courses en province (At the Races in the Countryside) 1869 Oil on canvas, 36.5 x 55.9 cm Museum of Fine Arts, Boston At once merging and disrupting the traditional categories of landscape, genre scene, and family portrait,…

Chez la modiste (1881)

Degas, Edgar (1834-1917) Chez la modiste (At the Milliner’s) 1881 Pastel on paper, 69.2 x 69.2 cm Metropolitan Museum of Art, New York Two customers in nearly identical dresses—perhaps a mother and daughter or two sisters—are seen from behind in a…

La classe de danse (1874)

Degas, Edgar (1834-1917) La classe de danse (The Dance Class) 1874 Oil on canvas, 83.5 x 77.2 cm Metropolitan Museum of Art, New York This work and its variant in the Musée d’Orsay, Paris, represent the most ambitious paintings Degas devoted to…

Madonna Niccolini-Cowper (1508)

Raffaello (1483-1520) Madonna Niccolini-Cowper (The Niccolini-Cowper Madonna) 1508 Oil on panel, 80.7 x 57.5 cm National Gallery of Art, Washington Inscription: center right on border of Madonna’s bodice: MDVIII.R.V.PIN (1508 Raphael of Urbino painted it) A woman holds and looks toward…

La Fornarina (c.1520)

Raffaello (1483-1520) La Fornarina (Portrait of a Young Woman) c.1520 Oil on panel, 87 x 63 cm Palazzo Barberini, Roma The subject of this portrait, according to tradition, was Raphael’s inspirational muse and mistress: Margherita Luti, the daughter of a baker in…

Spasimo di Sicilia (1515-1516)

Raffaello (1483-1520) & Workshop Spasimo di Sicilia, Andata al Calvario (Christ Falling on the Way to Calvary) 1515–1516 Oil on panel transferred to canvas, 318 x 229 cm Museo del Prado, Madrid See also: Jacopo Basilio commissioned this painting for the Monastery…

San Giorgio e il drago, Washington (c.1506)

Raffaello (1483-1520) San Giorgio e il drago (Saint George and the Dragon) c.1506 Oil on panel, 28.5 x 21.5 cm National Gallery of Art, Washington Raphael was born in Urbino, a central Italian duchy noted for its elegant gentility and Renaissance scholarship.…

Pietà (1498-1499)

Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo’s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. Detail: A photograph by Aurelio Amendola, from the book “Michelangelo: La Dotta Mano”. See also:…

Le mal du pays (c.1948)

Magritte, René (1898-1967) Le mal du pays (Homesickness) c.1948 Watercolor and gouache on paper, 45.5 x 35.1 cm Art Institute of Chicago, Chicago © 2013 C. Herscovici, London / Artists Rights Society (ARS), New York

La durée poignardée (1938)

Magritte, René (1898-1967) La durée poignardée (Time Transfixed) 1938 Oil on canvas, 147 x 98.7 cm Art Institute of Chicago, Chicago © 2013 C. Herscovici, London / Artists Rights Society (ARS), New York Impressed by René Magritte’s submissions to the 1936 International…