Tag: signature

La masía (1921-1922)

Miró, Joan (1893-1983) La masía (The Farm) 1921–1922 Oil on canvas, 123.8 x 141.3 x 3.3 cm National Gallery of Art, Washington Miró moved from Barcelona to Paris in 1920, determined to participate in the artistic vanguard of the French capital.…

Le Palais Ducal vu de Saint-Georges Majeur (1908)

Monet, Claude (1840-1926) Le Palais Ducal vu de Saint-Georges Majeur (The Palazzo Ducale, Seen from San Giorgio Maggiore) 1908 Oil on canvas, 65 x 100.5 cm Guggenheim Museum, New York Claude Monet’s preponderant role in the development of Impressionism tends to overshadow…

Femme nue se baissant (1923)

Bonnard, Pierre (1867-1947) Femme nue se baissant (Nude Bending Down) 1923 Oil on canvas, 57.1 × 52.7 cm Tate Britain, London A woman is glimpsed quietly wiping her leg. The informality of the pose suggests that the model has been caught unawares…

Madame Bonnard (1895-1900)

Vuillard, Édouard (1868-1940) Madame Bonnard 1895–1900 Oil on cardboard, 41.7 x 31.9 cm National Gallery of Art, Washington Inscription upper left: à Bonnard / EVuillard See also: • Bonnard, Marthe (1869-1942)

Le bol de lait (c.1919)

Bonnard, Pierre (1867-1947) Le bol de lait (The Bowl of Milk) c.1919 Oil on canvas, 116.2 × 121 cm Tate Britain, London Bonnard painted this work in the south of France. He moved there during the First World War with his partner…

Le Bain de Vénus (1751)

Boucher, François (1703-1770) Le Bain de Vénus (The Bath of Venus) 1751 Oil on canvas, 107 x 84.8 cm National Gallery of Art, Washington In Enlightenment France the dedicated search to define truth engendered a re–evaluation of the natural. The belief that…

The Winkel Mill, Pointillist Version (1908)

Mondrian, Piet (1872-1944) The Winkel Mill, Pointillist Version 1908 Oil on canvas, 43.18 × 34.61 cm Dallas Museum of Art, Dallas Recently discovered photographs show that Mondrian was inspired by a specific windmill in the countryside near Amsterdam. Perhaps the unrelenting flatness…