Tag: signature

Portrait of Albrecht Dürer the Elder (1490)

Dürer, Albrecht (1471-1528) Portrait of Albrecht Dürer the Elder (Bildnis des Albrecht Dürer des Älteren) 1490 Oil on panel, 47.5 x 39.5 cm Galleria degli Uffizi, Firenze Diptych of Dürer’s Parents. Companion: Dürer, Albrecht (1471-1528) Portrait of Barbara Dürer, née Holper…

Die Drahtziehmühle (c.1489)

Dürer, Albrecht (1471-1528) Die Drahtziehmühle (The Wire-drawing Mill) c.1489 Watercolor and gouache on paper, 29 x 42.6 cm Kupferstichkabinett, Berlin The depiction of the landscape environment, which is self-evident and particularly interesting to us, was not common for centuries, from the…

Wapping (1860-1864)

Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…

The Lime Burner (1859)

Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…

Self-Portrait in Hell (1903)

Munch, Edvard (1863-1944) Self-Portrait in Hell (Selvportrett i helvete) 1903 Oil on canvas, 82 × 66 cm Munch Museum, Oslo In this period Munch embarks on a creative quest to reinvent himself as an artist. His images from the 1890s, suddenly seem outdated. As…

Self-Portrait (1895)

Munch, Edvard (1863-1944) Self-Portrait (Selvportrett) 1895 Lithograph, 458 × 314 mm Munch Museum, Oslo In the period before Munch makes this self-portrait, some of his most famous motifs are created, including The Scream, Vampire, Puberty and Madonna. He takes up printmaking, which gives…

The Scream (1893)

Munch, Edvard (1863-1944) The Scream (Der Schrei) 1893 Oil, tempera and pastel on cardboard, 91 x 73.5 cm Nationalgalleriet, Oslo Painted in 1893, Munch’s iconic Scream was donated to the National Gallery in 1910. In terms of its fame, this painting now rivals…