Delacroix, Eugène (1798-1863) Pietà c.1850 Oil on canvas, 35.6 x 27 cm Nationalgalleriet, Oslo
Pietà (c.1850)
Tag: signature
Le jour des rameaux (1885)
Meurent, Victorine (1844-1927) Le jour des rameaux (Palm Sunday) 1885 Oil on canvas, 41 x 32 cm Musée Municipal d’Art et d’Histoire, Colombes
Portrait of Albrecht Dürer the Elder (1497)
Dürer, Albrecht (1471-1528) Portrait of Albrecht Dürer the Elder (Bildnis des Albrecht Dürer des Älteren) 1497 Oil on lime, 51 x 40.3 cm National Gallery, London The inscription at the top of this picture tells us the sitter is Dürer’s father, Albrecht…
Portrait of Albrecht Dürer the Elder (1490)
Dürer, Albrecht (1471-1528) Portrait of Albrecht Dürer the Elder (Bildnis des Albrecht Dürer des Älteren) 1490 Oil on panel, 47.5 x 39.5 cm Galleria degli Uffizi, Firenze Diptych of Dürer’s Parents. Companion: Dürer, Albrecht (1471-1528) Portrait of Barbara Dürer, née Holper…
Die Drahtziehmühle (c.1489)
Dürer, Albrecht (1471-1528) Die Drahtziehmühle (The Wire-drawing Mill) c.1489 Watercolor and gouache on paper, 29 x 42.6 cm Kupferstichkabinett, Berlin The depiction of the landscape environment, which is self-evident and particularly interesting to us, was not common for centuries, from the…
Self-Portrait or Portrait of the Artist Holding a Thistle (1493)
Dürer, Albrecht (1471-1528) Self-Portrait or Portrait of the Artist Holding a Thistle 1493 Parchment glued on canvas, 56.5 x 44.5 cm Musée du Louvre, Paris Dürer‘s first painted self-portrait, possibly an engagement portrait – the thistle or panicaut (eryngium), which Dürer…
Symphony in White, No. 1: The White Girl (1861-1863, 1872)
Whistler, James Abbott McNeill (1834-1903) Symphony in White, No. 1: The White Girl 1861–1863, 1872 Oil on canvas, 213 x 107.9 cm National Gallery of Art, Washington When Whistler submitted The White Girl to the Paris Salon in 1863, the tradition–bound…
Wapping (1860-1864)
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
The Lime Burner (1859)
Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…
Self-Portrait in Hell (1903)
Munch, Edvard (1863-1944) Self-Portrait in Hell (Selvportrett i helvete) 1903 Oil on canvas, 82 × 66 cm Munch Museum, Oslo In this period Munch embarks on a creative quest to reinvent himself as an artist. His images from the 1890s, suddenly seem outdated. As…