Tag: signature

The Fight Between Carnival and Lent (1559)

Bruegel the Elder, Pieter (c.1525-1569) The Fight Between Carnival and Lent 1559 Oil on oak panel, 118 × 163.7 × 3.3 cm Kunsthistorisches Museum, Vienna Inscribed on a stone at lower left: BRVEGEL (V and E ligated) 1559 In the foreground…

The Tower of Babel (1563)

Bruegel the Elder, Pieter (c.1525-1569) The Tower of Babel 1563 Oil on oak, 114.4 × 155.5 × 3.8 cm Kunsthistorisches Museum, Vienna Designated at the bottom of a cuboid: BRVEGEL. FE. M.CCCCC.LXIII Bruegel’s monumental composition became the most famous, most often…

The Procession to Calvary (1564)

Bruegel the Elder, Pieter (c.1525-1569) The Procession to Calvary 1564 Oil on oak panel, 124.3 × 170.6 × 1 cm Kunsthistorisches Museum, Vienna Inscribed at lower right: BRVEGEL. MD.LXIIII Bruegel continues the Netherlandish pictorial tradition reaching back to Jan van Eyck…

La dama con l’ermellino (c.1490)

Leonardo da Vinci (1452-1519) La dama con l’ermellino, Cecilia Gallerani (Lady with an Ermine) c.1490 Oil and tempera on wood 53.4 x 39.3 cm Muzeum Czartoryskich, Kraków See also: • Gallerani, Cecilia (1473-1536)

La Tamise à Westminster (c.1871)

Monet, Claude (1840-1926) La Tamise à Westminster (The Thames at Westminster) c.1871 Oil on canvas, 47 x 73 cm National Gallery, London Monet arrived in London in September 1870, fleeing from the Franco-Prussian War and the Paris Commune, and stayed until May…

Jardin à Sainte-Adresse (1867)

Monet, Claude (1840-1926) Jardin à Sainte-Adresse (Garden at Sainte-Adresse) 1867 Oil on canvas, 98.1 x 129.9 cm Metropolitan Museum of Art, New York Monet spent the summer of 1867 with his family at Sainte-Adresse, a seaside resort near Le Havre. It was…

I Raro te Oviri (1891)

Gauguin, Paul (1848-1903) I Raro te Oviri (Under the Pandanus) 1891 Oil on canvas, 67.31 x 90.8 cm Dallas Museum of Art, Dallas In his mid-thirties, Paul Gauguin abandoned his life as a stockbroker to become an artist. He sought to…