Derain, André (1880-1954) Danseuse de ballet (Ballet Dancer) late 1920s Oil on canvas, 45.6 × 37 cm Art Institute of Chicago, Chicago
Danseuse de ballet (late 1920s)
Tag: signature
The Angel of Death (1885)
De Morgan, Evelyn (1855-1919) The Angel of Death 1885 Black pastel and opaque gold paint, over traces of black chalk, on brown wove paper, 46.5 x 38 cm Art Institute of Chicago, Chicago
Le collectionneur d’estampes (c.1860)
Daumier, Honoré (1808-1879) Le collectionneur d’estampes (The Print Collector) c.1860 Oil on cradled panel, 42.3 × 33 cm Art Institute of Chicago, Chicago
Une scène alpine (1874)
Courbet, Gustave (1819-1877) Une scène alpine (An Alpine Scene) 1874 Oil on canvas, 60 × 73 cm Art Institute of Chicago, Chicago
La Vallée du Puits Noir (1868)
Courbet, Gustave (1819-1877) La Vallée du Puits Noir (The Valley of Les Puits-Noir) 1868 Oil on canvas, 111.1 × 137.8 cm Art Institute of Chicago, Chicago
Le ruisseau du Puits Noir (c.1855)
Courbet, Gustave (1819-1877) Le ruisseau du Puits Noir (The Brook of Les Puits-Noir) c.1855 Oil on canvas, 46.5 × 55.7 cm Art Institute of Chicago, Chicago
Busto di Paride (1809)
Canova, Antonio (1757-1822) Busto di Paride (Bust of Paris) 1809 Marble, 69.9 × 30.8 × 28 cm Art Institute of Chicago, Chicago Inscription: Ant(o)nio Quatremere/Amico Optimo/Antonius Canova/Dono Dedit/F. Romae/An. MDCCCIX”. The enormously popular Neoclassical sculptor Antonio Canova frequently made replicas or variants…
Autoritratto (1812)
Canova, Antonio (1757-1822) Autoritratto (Self-Portrait) 1812 Plaster, 90.5 × 47.6 × 28.6 cm Art Institute of Chicago, Chicago Inscrition: CANOVA SELPSUM F A N MDCCCXII (back shoulder).
The Hare Hunters (1566)
Bruegel the Elder, Pieter (c.1525-1569) The Hare Hunters 1566 Etching in black on ivory laid paper, 21.5 × 29.2 cm Art Institute of Chicago, Chicago This etching might represent two related proverbs popularized by the philosopher/writer Erasmus in the mid-1500s: “He who…
Après la corrida (1873)
Cassatt, Mary (1844-1926) Après la corrida (After the Bullfight) 1873 Oil on canvas, 82.5 × 64 cm Art Institute of Chicago, Chicago Mary Cassatt chose a quintessentially Spanish subject, executing this composition of a bullfighter, or torero, in full regalia during an…