Ensor, James (1860-1949) Les péchés capitaux dominés par la mort (The deadly sins dominated by death) 1904 Etching on paper, 16 x 24.8 cm Kröller-Müller Museum, Otterlo
Les péchés capitaux dominés par la mort (1904)
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Nature morte au pot bleu (1890)
Ensor, James (1860-1949) Nature morte au pot bleu (Still life with blue jug) 1890 Oil on panel, 38 x 46 cm Kröller-Müller Museum, Otterlo
Triomphe romain (1889)
Ensor, James (1860-1949) Triomphe romain (Roman Triumph) 1889 Etching on paper, 28.3 x 39.8 cm Kröller-Müller Museum, Otterlo
Le Combat (c.1925)
Ensor, James (1860-1949) Le Combat (The Fight) c.1925 Oil on canvas, 60.5 x 50 cm Kröller-Müller Museum, Otterlo
Le Désespoir de Pierrot (c.1910)
Ensor, James (1860-1949) Le Désespoir de Pierrot (Pierrot’s Despair) c.1910 Oil on canvas, 66.3 x 84.2 cm Kröller-Müller Museum, Otterlo
Nature morte dans l’atelier (1889)
Ensor, James (1860-1949) Nature morte dans l’atelier (Still life in the studio) 1889 Oil on canvas, 83 x 113.5 cm Neue Pinakothek, Munich James Sidney Ensor‘s “Still Life” is more than the usual realistic studio study that is so often encountered…
L’entrée du Christ à Bruxelles (1888)
Ensor, James (1860-1949) L’entrée du Christ à Bruxelles (Christ’s Entry into Brussels in 1889) 1888 Oil on canvas, 252.6 × 431 cm Getty Center, Los Angeles James Ensor took on religion, politics, and art in this scene of Christ entering contemporary…
Squelettes voulant se chauffer (1889)
Ensor, James (1860-1949) Squelettes voulant se chauffer (Skeletons Wanting to Warm Themselves) 1889 Oil on canvas, 74.8 x 60 cm Kimbell Art Museum, Fort Worth James Ensor was one of the most original painters of the late nineteenth century. Populated with…
Au conservatoire (c.1893)
Ensor, James (1860-1949) Au conservatoire (At the Conservatory) c.1893 Oil on canvas mounted on panel, 56.5 x 71.5 cm Musée d’Orsay, Paris
La Dame en détresse (1882)
Ensor, James (1860-1949) La Dame en détresse (The Lady in Distress) 1882 Oil on canvas, 100.4 x 79.7 cm Musée d’Orsay, Paris