Tag: signature

Ludovico Ariosto (c.1510)

Tiziano (c.1488-1576) Ludovico Ariosto (or Gerolamo (?) Barbarigo) c.1510 Oil on canvas, 81.2 x 66.3 cm National Gallery, London Titian painted portraits more frequently than any other type of picture and he painted them throughout his long career. This is one of…

Apoteosi di sant’Orsola e delle sue compagne (1491)

Carpaccio, Vittore (c.1460-c.1526) Apoteosi di sant’Orsola e delle sue compagne (Apotheosis of Saint Ursula and her companions) 1491 Oil on canvas, 481 x 335 cm Gallerie dell’Accademia, Venezia This is the nineth of nine paintings in the cycle of the Legend of…

Maddalena penitente (1560s)

Tiziano (c.1488-1576) Maddalena penitente (Penitent Magdalene) 1560s Oil on canvas, 119 x 97 cm Hermitage Museum, Saint Petersburg Titian turned to the subject of the repentant Mary Magdalene on several occasions, but this version he kept for himself in his…

Adoration of the Magi (c.1494)

Bosch, Hieronymus (c.1450-1516) Adoration of the Magi c.1494 Oil on oak panel, 147.4 x 168.6 cm Museo del Prado, Madrid Closed: The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning…

Crowning with Thorns (c.1510-1520)

Bosch, Hieronymus (c.1450-1516) Crowning with Thorns c.1510–1520 Oil and gold on panel Museo de Bellas Artes, Valencia This is the central panel of the Passion Triptych. See also: Bosch, Hieronymus (c.1450-1516) Passion Triptych c.1510–1520 Museo de Bellas Artes, Valencia    

Passion Triptych (c.1510-1520)

Bosch, Hieronymus (c.1450-1516) Passion Triptych c.1510–1520 Oil and gold on panel, 150.5 x 334.5 cm Museo de Bellas Artes, Valencia Left panel: Bosch, Hieronymus (c.1450-1516) Arrest of Jesus c.1510–1520 Museo de Bellas Artes, Valencia     Central panel: Bosch, Hieronymus (c.1450-1516) Crowning…