Vermeer, Jan (1632-1675) The Guitar Player (De gitaarspeelster) c.1672 Oil on canvas, 53 x 46.3 cm Kenwood House, London Compare: Vermeer, Jan (1632-1675) Young Woman seated at a Virginal c.1672–1675 Private collection, New York
Vermeer, Jan (1632-1675) A Young Woman Standing at a Virginal (Staande Virginaalspeelster) c.1670–1672 Oil on canvas, 51.7 x 45.2 cm National Gallery, London A young woman standing at a keyboard holds our eye with a direct gaze. Suffused in the light…
Vermeer, Jan (1632-1675) A Young Woman Seated at a Virginal (Zittende virginaalspeelster) c.1670–1672 Oil on canvas, 51.5 x 45.5 cm National Gallery, London A colourful hanging tapestry has been swept to one side to reveal a young woman seated at a…
Vermeer, Jan (1632-1675) The Concert (Het concert) 1663–1666 Oil on canvas, 72.5 x 64.7 cm Isabella Stewart Gardner Museum, Boston In a pristine domestic parlor, two women and a man concentrate on making music. The standing woman holds a sheet of…
Vermeer, Jan (1632-1675) Diana and her nymphs (Diana en haar Nimfen) c.1653–1654 Oil on canvas, 97.8 x 104.6 cm Mauritshuis, The Hague Signed lower left, on the rock, between the dog and the thistle: JVMeer VM in ligature Vermeer is best…
Vermeer, Jan (1632-1675) Mistress and Maid (Dame en dienstbode) c.1666–1667 Oil on canvas, 90.2 x 78.7 cm Frick Collection, New York Vermeer chose a large canvas for this composition, which presents two women pondering a newly arrived letter. Depicting an interior…
Vermeer, Jan (1632-1675) Girl with a Pearl Earring (Het meisje met de parel) 1665 Oil on canvas, 44.5 x 39 cm Mauritshuis, The Hague A young woman looks over her shoulder at us. She holds her head slightly to one side,…
Bellini, Giovanni (c.1430-1516) Doge Leonardo Loredan 1501–1502 Oil on poplar, 61.4 x 44.5 cm National Gallery, London Leonardo Loredan knows that he is being looked at, but he does not return our gaze. He is the doge, the ruler of the…
Leonardo da Vinci (1452-1519) La Gioconda (Monna Lisa) c.1503–1506 Oil on poplar, 79.4 x 53.4 cm Musée du Louvre, Paris A false identity problem It is only since the 20th century that certain historians, but more often amateurs in search of recognition,…
Leonardo da Vinci (1452-1519) La dama con l’ermellino, Cecilia Gallerani (Lady with an Ermine) c.1490 Oil and tempera on wood 53.4 x 39.3 cm Muzeum Czartoryskich, Kraków See also: • Gallerani, Cecilia (1473-1536)