Tag: skull

Ritratto di uomo (c.1535)

Lotto, Lorenzo (1480-1557) Ritratto di uomo (Portrait of a Man, Mercurio Bua) c.1535 Oil on canvas, 118 x 105 cm Galleria Borghese, Roma The character, long believed to be a self-portrait of the artist, is depicted inside a closed environment, the…

Tentazioni di San Gerolamo (1541)

Vasari, Giorgio (1511-1574) Tentazioni di San Gerolamo (Temptations of St. Jerome) 1541 Oil on panel, 170 x 122.5 cm Galleria Palatina, Palazzo Pitti, Firenze In accordance with a literary tradition focusing on his period of solitude in the desert, St Jerome has…

I beati domenicani I (c.1423-1424)

Angelico, Fra (c.1395-1455) I beati domenicani I (The Dominican Blessed) c.1423–1424 Egg tempera on wood, 31.8 x 21.9 cm National Gallery, London The Dominican Blessed, both friars and nuns, dressed in the distinctive black and white habits of the Dominican Order, are…

Crocifissione (c.1420-1423)

Angelico, Fra (c.1395-1455) Crocifissione (The Crucifixion) c.1420–1423 Tempera on wood, gold ground, 63.8 x 48.3 cm Metropolitan Museum of Art, New York This early work by Fra Angelico accentuates the drama of the Crucifixion by showing the Virgin collapsed in grief with…

Crocifisso di Santa Maria Novella (c.1288-1289)

Giotto (c.1267-1337) Crocifisso di Santa Maria Novella (Crucifix of Santa Maria Novella) c.1288–1289 Tempera on wood, 578 x 406 cm Santa Maria Novella, Firenze At the center of the nave, high above the steps that separate the lower from the upper…

Oedipe et le Sphinx (1864)

Ingres, Jean Auguste Dominique (1780-1867) Oedipe et le Sphinx (Oedipus and the Sphinx) 1864 Oil on canvas, 105.5 x 87 cm Walters Art Museum, Baltimore Compare: Ingres, Jean Auguste Dominique (1780-1867) Oedipe explique l’énigme du sphinx 1808 Musée du Louvre, Paris     Ingres,…

Santa Maria Maddalena (c.1620)

Gentileschi, Artemisia (1593-c.1653) Santa Maria Maddalena (St. Mary Magdalene) c.1620 Oil on canvas, 146.5 x 108 cm Galleria Palatina, Palazzo Pitti, Firenze Mary Magdalen was a much-loved subject both by painters and the public because she represented the ideal model of the…

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…

Crocifissione (c.1587-1588)

Carracci, Annibale (1560-1609) Crocifissione (The Crucifixion) c.1587–1588 Oil on canvas laid on panel, 81.5 × 61.5 cm Yale University Art Gallery, New Haven