Bruegel the Elder, Pieter (c.1525-1569) The Return of the Herd (Autumn, October-November) 1565 Oil on oak, 117 × 159.7 × 3 cm Kunsthistorisches Museum, Vienna Bruegel introduced to the art of painting the autumn motif of the returning herd, a subject…
Bruegel the Elder, Pieter (c.1525-1569) Haymaking (June-July) 1565 Oil on panel, 114 x 158 cm Lobkowicz Palace, Prague
Bruegel the Elder, Pieter (c.1525-1569) Gloomy Day (Early Spring / February-March) 1565 Oil on oak panel, 118 x 163 cm Kunsthistorisches Museum, Vienna The picture represents late winter or early spring with such seasonal activities as collecting wood and cutting willow…
Bruegel the Elder, Pieter (c.1525-1569) The Fall of the Rebel Angels 1562 Oil on oak, 117 x 162 cm Musées Royaux des Beaux-Arts de Belgique, Brussels
Bruegel the Elder, Pieter (c.1525-1569) The Census at Bethlehem 1566 Oil on oak, 115.5 x 163.5 cm Musées Royaux des Beaux-Arts de Belgique, Brussels
Bruegel the Elder, Pieter (c.1525-1569) Parable of the Sower 1557 Oil on wood panel, 73.7 × 102.9 cm Timken Museum of Art, San Diego Pieter Bruegel the Elder took pleasure in burying the lead. Many of his mature works had lofty,…
Bruegel the Elder, Pieter (c.1525-1569) The Magpie on the Gallows (Landschap met dansende boeren en een ekster op een galg) 1568 Oil on panel, 45.9 x 50.8 cm Hessisches Landesmuseum, Darmstadt
Bruegel the Elder, Pieter (c.1525-1569) Winter Landscape with Skaters and Bird Trap c.1565 Oil on oak panel, 37 x 55.5 cm Musées Royaux de Belgique, Brussels Compare: Bruegel the Elder, Pieter (c.1525-1569) Winter Landscape with a Bird Trap 1565 Wilton House, UK …
Bruegel the Elder, Pieter (c.1525-1569) The Conversion of Paul 1567 Oil on oak panel, 108.3 × 156.3 × 3.2 cm Kunsthistorisches Museum, Vienna Inscribed on the lower right side of the rock: BRVEGEL. M.D.LXVII According to the biblical story, Saul, on…
Bruegel the Elder, Pieter (c.1525-1569) The Suicide of Saul 1562 Oil on oak panel, 34.7 × 55.6 × 0.5 cm Kunsthistorisches Museum, Vienna Inscribed at the lower left edge of the picture between two pieces of rock: SAVL. XXXI CAPIT.; and:…