Hunt, William Holman (1827-1910) The Scapegoat 1854–1855 oil on canvas, 33.7 x 45.9 cm Manchester Art Gallery, Manchester Vividly coloured depiction of a russet coloured goat on the brink of death. The goat stands in the centre foreground, head lowered, haunches caving…
Hunt, William Holman (1827-1910) The Scapegoat 1854–1856 Oil on canvas, 86 x 140 cm Lady Lever Art Gallery, Port Sunlight Compare: Hunt, William Holman (1827-1910) The Scapegoat 1854–1855 Manchester Art Gallery, Manchester
Hunt, William Holman (1827-1910) The Triumph of the Innocents 1883–1884 Oil on canvas, 156.2 x 254 cm Tate Britain, London Hunt began painting this subject while on a visit to the Holy Land in the 1870s. It shows Mary, Joseph and…
Hunt, William Holman (1827-1910) The Triumph of the Innocents 1876–1887 Oil on canvas, 157.5 × 247.5 cm Walker Art Gallery, Liverpool Mary and the infant Christ on the donkey are being led on their nocturnal flight to Egypt by Joseph. They…
Hunt, William Holman (1827-1910) The Ship 1875 Oil on canvas, 76.2 x 97.8 cm Tate Britain, London Hunt began this painting after a voyage to the East with his second wife, Edith. Unusually, he painted it largely from memory, rather than from…
Hunt, William Holman (1827-1910) The golden prime of good Haroun Alraschid 1863 Watercolour on vellum, 10.2 x 12.7 cm National Museum Wales, Cardiff See also: • Tennyson, Alfred (1809-1892)
Hunt, William Holman (1827-1910) The Lady of Shalott c.1886–1905 Oil on canvas, 188.3 x 146.4 cm Wadsworth Atheneum, Hartford “Do not forsake your duties” is the overall message Hunt wanted to convey in his painting. The Lady, heroine of a Tennyson…
Hunt, William Holman (1827-1910) Rienzi vowing to obtain Justice 1849 Oil on canvas, 83 x 117 cm National Gallery, London Cola di Rienzo vowing to obtain justice for the death of his young brother, slain in a skirmish between the Colonna…
Van Gogh, Vincent (1853-1890) La Diligence de Tarascon (Tarascon Stagecoach) 1888 Oil on canvas, 71.4 x 92.5 cm Princeton University Art Museum, Princeton Closed shutters in the courtyard of the inn at Arles suggest it is siesta time, and short shadows indicate…
Utrillo, Maurice (1883-1955) La maison blanche (The White House) c.1937 Oil on wood panel, 69.2 x 96.5 cm Princeton University Art Museum, Princeton