Soutine, Chaïm (1893-1943) Autoportrait (Self-Portrait) c.1918 Oil on canvas, 54.6 × 45.7 cm Princeton University Art Museum, Princeton Soutine arrived in Paris in 1913 and became a member of the cosmopolitan artistic world of Montparnasse and the group that critics of…
Pinturicchio (c.1454-1513) San Bartolomeo (Saint Bartholomew) c.1497 Tempera on wood panel, 59.6 x 51 cm Princeton University Art Museum, Princeton Flayed and crucified for spreading Christ’s word through Armenia and India, the apostle Bartholomew was represented horrifically, holding his own skin,…
Sargent, John Singer (1856-1925) Coventry Kersey Deighton Patmore 1894 Oil on canvas, 91.4 × 61 cm National Portrait Gallery, London See also: • Patmore, Coventry (1823-1896)
Klimt, Gustav (1862-1918) Standing Pregnant Woman with a Man (study for Hope I) 1902–1903 Black chalk and charcoal, 44.8 x 30.6 cm Princeton University Art Museum, Princeton Compare: Klimt, Gustav (1862-1918) Hope I 1903 National Gallery of Canada, Ottawa
Burne-Jones, Edward (1833-1898) Saint Cecilia c.1900 Stained and painted glass, 213.5 x 75.5 cm Princeton University Art Museum, Princeton This window is the result of a collaboration between the Pre-Raphaelite painter Burne-Jones and the firm founded by William Morris, who initiated…
Rossetti, Dante Gabriel (1828-1882) The Salutation of Beatrice 1880–1882 Oil on canvas, 154.3 × 91.4 cm Toledo Museum of Art, Toledo The woman in this painting embodies the Pre-Raphaelite ideal of beauty with her pale face, full lips, and thick, wavy,…
Morris, William (1834-1896) A Girl with a Flute s.d. Watercolor and graphite on paper, 27.3 x 14 cm Tate Britain, London
Morris, William (1834-1896) La Belle Iseult 1858 Oil on canvas, 71.8 x 50.2 cm Tate Britain, London This is the only completed easel painting that William Morris produced. It is a portrait in medieval dress of Jane Burden, whom Morris married…
Burne-Jones, Edward (1833-1898) Saint George 1873–1877 Oil on canvas, 156.8 x 56.5 cm Wadsworth Atheneum, Hartford
Burne-Jones, Edward (1833-1898) Saint Barbara 1866–1870 Egg tempera with oil glazes (?) and shell gold over charcoal and graphite on paper; mounted to canvas, 95.3 x 41.3 cm National Gallery of Art, Washington