Tag: standing

Standing Pregnant Woman with a Man (1902-1903)

Klimt, Gustav (1862-1918) Standing Pregnant Woman with a Man (study for Hope I) 1902–1903 Black chalk and charcoal, 44.8 x 30.6 cm Princeton University Art Museum, Princeton Compare: Klimt, Gustav (1862-1918) Hope I 1903 National Gallery of Canada, Ottawa    

Saint Cecilia (c.1900)

Burne-Jones, Edward (1833-1898) Saint Cecilia c.1900 Stained and painted glass, 213.5 x 75.5 cm Princeton University Art Museum, Princeton This window is the result of a collaboration between the Pre-Raphaelite painter Burne-Jones and the firm founded by William Morris, who initiated…

The Salutation of Beatrice (1880-1882)

Rossetti, Dante Gabriel (1828-1882) The Salutation of Beatrice 1880–1882 Oil on canvas, 154.3 × 91.4 cm Toledo Museum of Art, Toledo The woman in this painting embodies the Pre-Raphaelite ideal of beauty with her pale face, full lips, and thick, wavy,…

La Belle Iseult (1858)

Morris, William (1834-1896) La Belle Iseult 1858 Oil on canvas, 71.8 x 50.2 cm Tate Britain, London This is the only completed easel painting that William Morris produced. It is a portrait in medieval dress of Jane Burden, whom Morris married…

Saint Barbara (1866-1870)

Burne-Jones, Edward (1833-1898) Saint Barbara 1866–1870 Egg tempera with oil glazes (?) and shell gold over charcoal and graphite on paper; mounted to canvas, 95.3 x 41.3 cm National Gallery of Art, Washington

Ariadne (1863-1864)

Burne-Jones, Edward (1833-1898) Ariadne 1863–1864 Watercolor and gouache over graphite on paper, 123.8 x 54 cm National Gallery of Art, Washington

Testa maschile e leone (1501-1508)

Carpaccio, Vittore (c.1460-c.1526) Testa maschile e leone (Male Head and Lion) 1501–1508 Brush, chalk and gouache on paper, 23.2 × 12.1 cm Princeton University Art Museum, Princeton Recto: Celebrated for his lively religious narrative cycles, Carpaccio was a prolific draftsman whose vibrant brushwork, often…