Tag: standing

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…

Ritratto di un dignitario (c.1535)

Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…

Leconte de Lisle (c.1840-1841)

Millet, Jean-François (1814-1875) Leconte de Lisle c.1840–1841 Oil on canvas, 117 x 81 cm National Gallery of Art, Washington See also: • Leconte de Lisle, Charles (1818-1894)

Mariana (1851)

Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…

San Paolo (1604-1606)

Carracci, Annibale (1560-1609) San Paolo (Saint Paul) 1604–1606 Fresco transferred to canvas Museu Nacional d’Art de Catalunya, Barcelona Mural Paintings from the Herrera Chapel.

Piccola macelleria (c.1582)

Carracci, Annibale (1560-1609) Piccola macelleria (The Butcher’s Shop) c.1582 Oil on canvas, 59.7 x 71 cm Kimbell Art Museum, Fort Worth Around the time that he painted The Butcher’s Shop, in about 1582, Annibale Carracci joined his older cousin Ludovico and…

Jane Seymour (c.1536-1537)

Holbein, Hans the Younger (c.1497-1543) Jane Seymour c.1536–1537 Oil on oak, 65.5 × 47 cm Kunsthistorisches Museum, Vienna Holbein became court painter to Henry VIII of England in 1536. Among the first of his paintings in the service of the King was…