Tag: standing

Diana and her nymphs (c.1653-1654)

Vermeer, Jan (1632-1675) Diana and her nymphs (Diana en haar Nimfen) c.1653–1654 Oil on canvas, 97.8 x 104.6 cm Mauritshuis, The Hague Signed lower left, on the rock, between the dog and the thistle: JVMeer VM in ligature Vermeer is best…

Mistress and Maid (c.1666-1667)

Vermeer, Jan (1632-1675) Mistress and Maid (Dame en dienstbode) c.1666–1667 Oil on canvas, 90.2 x 78.7 cm Frick Collection, New York Vermeer chose a large canvas for this composition, which presents two women pondering a newly arrived letter. Depicting an interior…

Le Garçon au chat (1868)

Renoir, Pierre-Auguste (1841-1919) Le Garçon au chat (Young Boy with a Cat) 1868 Oil on canvas, 123.5 x 66 cm Musée d’Orsay, Paris The Boy with the Cat has not given up all its secrets. This male nude has no equivalent in…

Allegoria sacra (c.1490-1500)

Bellini, Giovanni (c.1430-1516) Allegoria sacra (Sacred Allegory) c.1490–1500 Oil on wood panel, 73 x 119 cm Galleria degli Uffizi, Firenze One of the most enigmatic and fascinating works of the Italian Renaissance, this painting by Bellini shows the Madonna seated on…

San Francesco in estasi (c.1475-1480)

Bellini, Giovanni (c.1430-1516) San Francesco in estasi (St Francis in Ecstasy) c.1475–1480 Oil on panel, 124.1 × 140.5 cm Frick Collection, New York Details of Giovanni Bellini’s birth and early life remain largely unknown. He grew up in Venice, his likely…

La Musique aux Tuileries (1862)

Manet, Édouard (1832-1883) La Musique aux Tuileries (Music in the Tuileries Gardens) 1862 Oil on canvas, 76.2 x 118.1 cm National Gallery, London Portraits included in the painting: Image: The National Gallery, London 1. Édouard Manet (1832-1883) 2. Comte Albert de Balleroy (1828-1872) 3. Champfleury…

Le Chemin de fer (1873)

Manet, Édouard (1832-1883) Le Chemin de fer (The Railway, Gare Saint-Lazare) 1873 Oil on canvas, 93.3 x 111.5 cm National Gallery of Art, Washington Edouard Manet offers an intriguing study in contrasts and ambiguity in The Railway, starting with the relationship between…

La dama con l’ermellino (c.1490)

Leonardo da Vinci (1452-1519) La dama con l’ermellino, Cecilia Gallerani (Lady with an Ermine) c.1490 Oil and tempera on wood 53.4 x 39.3 cm Muzeum Czartoryskich, Kraków See also: • Gallerani, Cecilia (1473-1536)

Vocazione dei santi Pietro e Andrea (c.1602-1604)

Caravaggio (1571-1610) Vocazione dei santi Pietro e Andrea (Calling of Saints Andrew and Peter) c.1602–1604 Oil on canvas, 140.1 x 176 cm Royal Collection, Hampton Court Palace, London Christ gestures ahead while turning back to the brothers Simon (later Peter) and Andrew,…