Memmi, Lippo (c.1291-1356) San Paolo (Saint Paul) c.1330 Tempera on wood, gold ground, 95.9 x 48.3 cm Metropolitan Museum of Art, New York Converted to Christianity on the road to Damascus, Paul became known as the apostle to the Gentiles. He…
Masaccio (1401-1428) Cacciata di Adamo ed Eva dal paradiso terrestre (Expulsion of Adam and Eve from the Earthly Paradise) c.1424–1428 (altered in 1680, and restored in 1980) Fresco, 214 x 90 cm Cappella Brancacci, Firenze In 1680 Cosimo III de’ Medici,…
Giorgione (c.1477-1510) Ritratto di guerriero con scudiero detto “Gattamelata” (Portrait of a warrior with a squire called “Gattamelata”) 1501–1502 Oil on canvas, 90 x 73 cm Galleria degli Uffizi, Firenze
Piero della Francesca (c.1416-1492) San Michele Arcangelo (Saint Michael the Archangel) completed 1469 Oil on poplar, 133 x 59.5 cm National Gallery, London The Archangel Michael led an army of angels to battle against the devil and cast him down from…
Uccello, Paolo (1397-1475) San Giorgio e il drago (Saint George slaying the dragon) c.1430 Tempera and gold on panel, 62.2 x 38.8 cm National Gallery of Victoria, Melbourne Compare: Uccello, Paolo (1397-1475) San Giorgio e il drago c.1470 National Gallery, London …
Donatello (1386-1466) David c.1440 Bronze, with traces of gilding, 158 cm Museo del Bargello, Firenze
Donatello (1386-1466) Banchetto di Erode (The Banquet of Herod) c.1435 Marble, 50 x 71.3 x 5 cm Palais des Beaux-Arts, Lille
Verrocchio, Andrea del (1435-1488) David c.1466–1469 Partially gilded bronze, 125 cm Museo del Bargello, Firenze See also: • Leonardo da Vinci (1452-1519)
Perugino (c.1446-1523) L’Arcangelo Michele (The Archangel Michael) c.1496–1500 Oil and egg temera on poplar, 114.7 x 56.6 cm National Gallery, London This was the left panel of the predella of an altarpiece made for the Duke of Milan, Ludovico Sforza. Altarpiece,…
Perugino (c.1446-1523) La resurrezione (The Resurrection) 1500–1505 Tempera on wood, 27 x 45.7 cm Metropolitan Museum of Art, New York This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large…