Renoir, Pierre-Auguste (1841-1919) Pèches sur un plateau (Peaches on a Plate) 1902–1905 Oil on canvas 22.2 x 35.6 cm National Gallery of Art, Washington
Renoir, Pierre-Auguste (1841-1919) L’odalisque (Odalisque) 1870 Oil on canvas, 69.2 x 122.6 cm National Gallery of Art, Washington A woman wearing a sheer white blouse, short red and gold vest, and full-legged, patterned pants cinched below the knee lies back…
Renoir, Pierre-Auguste (1841-1919) Enfant aux jouets, Gabrielle et Jean (Child with Toys, Gabrielle and the Artist’s Son, Jean) 1895–1896 Oil on canvas, 54.3 x 65.4 cm National Gallery of Art, Washington Shown from about the waist up, a woman with…
Renoir, Pierre-Auguste (1841-1919) Fleurs dans un vase (Flowers in a Vase) c.1866 Oil on canvas, 81.3 x 65.1 cm National Gallery of Art, Washington A loose arrangement of colorful wildflowers bursting out of a red clay jug sits near the…
Renoir, Pierre-Auguste (1841-1919) Claude Monet, Le Liseur (The Reader) 1872 Oil on canvas, 65 x 50 cm National Gallery of Art, Washington Compare: Renoir, Auguste (1841-1919) Claude Monet lisant c.1873 Musée Marmottan Monet, Paris See also: • Monet, Claude (1840-1926)
Renoir, Pierre-Auguste (1841-1919) Madame Charpentier et ses enfants (Madame Georges Charpentier and Her Children) 1878 Oil on canvas, 153.7 x 190.2 cm Metropolitan Museum of Art, New York In this commissioned portrait, as Marcel Proust observed, Renoir gave expression to…
Renoir, Pierre-Auguste (1841-1919) Nature morte avec fleurs et figues de Barbarie (Still Life with Flowers and Prickly Pears) c.1885 Oil on canvas, 73.3 x 59.4 cm Metropolitan Museum of Art, New York This picture is closely related to Still Life:…
Rembrandt (1606-1669) Portrait of an Old Man 1665 Oil on canvas, 104 x 86 cm Galleria degli Uffizi, Firenze Signed and dated in 1665, this portrait was created towards the end of Rembrandt‘s prolific artistic career, much of which was…
Rembrandt (1606-1669) Artist in his Studio c.1628 Oil on panel, 24.8 x 31.7 cm Museum of Fine Arts, Boston A young artist stands in a nearly empty studio, brushes in hand. Rather than showing the artist in the act of…