Tag: tondo

Padre Eterno (1604-1606)

Carracci, Annibale (1560-1609) Padre Eterno (Everlasting Father) 1604–1606 Fresco transferred to canvas Museu Nacional d’Art de Catalunya, Barcelona Mural Paintings from the Herrera Chapel.

Apoteosi dell’apostolo Giacomo (1604-1605)

Carracci, Annibale (1560-1609) Apoteosi dell’apostolo Giacomo (The Apotheosis of the Apostle James) 1604–1605 Fresco transferred to canvas, 151.3 × 103.5 cm Museo del Prado, Madrid The paintings in the chapel paid for by the Spanish banker Juan Enríquez de Herrera in the…

Apoteosi di San Lorenzo (1604-1605)

Carracci, Annibale (1560-1609) Apoteosi di San Lorenzo (The Apotheosis of Saint Lawrence) 1604–1605 Fresco transferred to canvas, 152.5 × 104 cm Museo del Prado, Madrid Annibale Carracci painted these works without previous cartoons as part of a group for the chapel of San…

Apoteosi di San Francesco (1604-1605)

Carracci, Annibale (1560-1609) Apoteosi di San Francesco (The Apotheosis of Saint Francis) 1604–1605 Fresco transferred to canvas, 151 × 103.3 cm Museo del Prado, Madrid Annibale Carracci painted these works without previous cartoons as part of a group for the chapel…

La Charité (1842)

Ingres, Jean Auguste Dominique (1780-1867) La Charité (Charity) 1842 Oil on canvas, 109.5 x 110.5 cm Musée du Louvre, Paris Circular composition: Seated woman breastfeeding a baby, another on her left arm, child clinging to her right shoulder, another standing behind…

L’Espérance (1842)

Ingres, Jean Auguste Dominique (1780-1867) L’Espérance (Hope) 1842 Oil on canvas, 116.5 × 117 cm Musée du Louvre, Paris Circular composition: half-length woman, arms and hands open, white sleeveless tunic under a green drape, face in profile turned to the right. (Louvre)…

La Foi (1842)

Ingres, Jean Auguste Dominique (1780-1867) La Foi (Faith) 1842 Oil on canvas, 120 × 110 cm Musée du Louvre, Paris Circular composition. Woman with a 3/4 length, dressed in Greek style, diadem on her head, looking at the chalice, ostia, on her…

Terminus, the Device of Erasmus (c.1532)

Holbein, Hans the Younger (c.1497-1543) Terminus, the Device of Erasmus c.1532 Oil on wood, 21.6 x 21.6 cm Cleveland Museum of Art, Cleveland In the spirit of the Italian Renaissance, Erasmus of Rotterdam (c. 1466–1536), the celebrated Dutch humanist and scholar,…