Carpaccio, Vittore (c.1460-c.1526) Incontro e partenza dei fidanzati (Meeting and departure of the fiancés) c.1497–1498 Oil on canvas, 279 x 610 cm Gallerie dell’Accademia, Venezia This is the fourth of nine paintings in the cycle of the Legend of St. Ursula (Storie…
Bosch, Hieronymus (c.1450-1516) The Last Judgment 1500–1505 Oil on wood, 99 x 117.5 cm Groeningemuseum, Bruges The outside panels.
Ribera, Jusepe de (1591-1652) Immacolata Concezione (The Immaculate Conception) c.1637 Oil on canvas, 220 × 160 cm Museo del Prado, Madrid
Lippi, Filippino (1457-1504) Adorazione del Bambino (The Adoration of the Child) c.1475–1480 Oil on poplar panel, 81.5 x 56.3 cm National Gallery of Art, Washington A winged angel, a woman, and a baby are gathered on a terrace that overlooks a softly…
Lippi, Filippino (1457-1504) Tobia e l’angelo (Tobias and the Angel) c.1475–1480 Oil and tempera on poplar panel, 32.7 x 23.5 cm National Gallery of Art, Washington
Masaccio (1401-1428) Santi Girolamo e Giovanni Battista (Saints Jerome and John the Baptist) c.1428–1429 Egg tempera on poplar, 125 x 58.9 cm National Gallery, London Saint Jerome, wearing his red cardinal’s hat, and Saint John the Baptist stand side by side…
Bellini, Giovanni (c.1430-1516) San Girolamo nel deserto (Saint Jerome in the Wilderness) c.1480 Oil on panel, 151.7 x 113.7 cm Galleria degli Uffizi, Firenze
Piero della Francesca (c.1416-1492) Battesimo di Cristo (The Baptism of Christ) probably about 1437–1445 Egg tempera on poplar, 167 × 116 cm National Gallery, London This is the earliest surviving work by the innovative Tuscan painter, Piero della Francesca. Very few…
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Giotto (c.1267-1337) San Francesco riceve le stimmate (St. Francis receiving the stigmata) c.1300–1325 Tempera and gold on poplar, 313 x 163 cm Musée du Louvre, Paris Signature: OPUS IOCTI FLORENTINI (“Work of Florentine Giotto”). At the predella: The dream of Innocent…